I took a slow road in another lifetime, in another century and a different continent. When I started, there were things I knew or thought I did. I carried with me notions of roads. I kept notes.
I knew that roads, however long or short, can be made as slow as I wished. I had no reason to regret having made roads slow down on account of whim and fancy and I didn’t envisage regrets in the centuries and lifetimes to come or in continents I might visit. I knew there would be stops.
I knew there could be ‘stops’ even between two bus stops and that stop-capture is possible without getting off a vehicle. I knew there are stops at railway stations and between them too. There is a stop when a vendor cries out what’s being offered, there’s a stop in the silence between words, peals of laughter, one tear and the next, and between drops of rain. These things I knew.
I anticipated these with a certain breathlessness, for I knew that journey-interruption is made of and for fascinating conversations, with travel companions and strangers and, even if I was absolutely alone, with the world around me and with myself.
For me, a stop was a two-way mirror, one face to re-examine self and the other opening to a world ready for re-definition. Slow roads have many mirrors, I knew this too.
Since I started, yes in another lifetime, in another century and in a different continent, I’ve stopped and have been stopped. I’ve stopped in wonderment at the world around me. The world in turn has stopped me with a command, ‘thus far and no further.’
I was stopped by words. They poured out of books I came across or which someone gave me. I was stopped by friends and strangers. Sunshine and snow flurries, autumn leaves and wind, dismal skies and a sparrow, a wind chime and dream catcher, they came in and out of sequence; they made me stop.
Family and friends, planned events and chance gatherings, a daughter’s smile and a young man supplanting her father, sisterhood and motherhood, household chores and the conspiracy of flavours; they too stopped me.
News from home made me stop. News from places I’ve never visited shocked me. An encyclopaedia and a dictionary took turns to keep me company. The manipulation of the word by manufacturers of news spoke to me. There were wine evenings and coffee nights, acknowledgement and admonishment.
A pen ran out of ink. The heart said ‘you can write without words.’ A house was filled with playlists, a young girl playing the piano while singing favourite songs and a cacophonous kitchen. The animated architectures would quietly distil from gone-days the better wines of conversation and bottle them as pages in books with appropriate titles for quiet consumption in an hour yet unknown.
I hadn’t planned to visit battlegrounds, but I was dragged across the rubble-remnant of indescribable cruelty. I stopped. It was not that I wanted to flee to places where flowers exploded with summertime assurances, but there were moments when I did find myself a few continents and centuries away from death, destruction, dismemberment, displacement and devastation. I was frequently airlifted to the land of immeasurable deprivation. The dust, the stench of horror and the perfumes of resolve wrapped me in sheets made of the finest gauze. They were bloodstained. I stopped. I wrote.
Was it in another lifetime? Was it on another continent? Did the designs of the universe cause a fissure in my sense of time and place?
I remember that month of December when I took to the road. It was a Friday. The 22nd. In the year 2022, apparently. I heard a voice softly informing me that there are stops and signs and that these have ways of revealing truths that are desperately sought to be concealed. Something of the eternal verities could also be obtained, I was told. The allegory of the slow word would unfold, I concluded. And it came as a stop-sign and a two-way mirror.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 300th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Passwords to unimaginable grace
Of masks, skins and the best poetry in the world
Calling Kapila Bandaranayake, wherever he may be!
The IDF and Rules of Engagement
Anthony Courseault's tryst with grapes
Sarath Karunaratne can't stop teaching
In the delirium of my insomnia
Herculaneum of the 21st Century
Gauze-kites in intemperate skies
Semitism: unclothed, unadulterated and unvarnished
The residences of Refaat Al Areer
Pity the all-knowing and naive as they stutter grandiose alibis!
Love-residue on park benches that have disappeared
Reflections on things left unfinished
The virtues of an empty canvas
Autumn days and nights thirteen centuries apart
Texts are ancient, transcription error-ridden
The word as a sword held to the throat of truth
Residents of and residency in heart and mind
Merit, integrity and seniority in the superior courts
Hunters and 'victims' of immemorial light
The unbearable lightness of pause
Seasons bookeneded by leaves on park benches
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills