Long years ago I was associated with an organization called ‘The
National Movement Against Terrorism’ (NMAT). This was at a time when those who
called for a military offensive to rid the country of the terrorist menace were
called racists, chauvinists, bigots, warmongers and other such derogatory
names. It was also a time when dollar-hungry, Eelam-touting, LTTE-loving
academics, NGO racketeers, human rights activists who did not see victims of
LTTE terrorism as ‘humans’, LTTE proxies masquerading as journalists and other
such creatures had the ear of the highest in the land. It was, indeed, a time
when the highest in the land were pathetically compromising themselves and the
nation to the whims and fancies of the nation’s detractors.
The NMAT’s effectiveness was such that people like Paikiasothy
Saravanamuttu publicly stated that it was dangerous because ‘among its
membership are prominent academics, professionals, politicians and Buddhist
monks’, when in fact there were just two professionals (a doctor and a lawyer)
and one academic (the academic was also a qualified lawyer), but no politicians
or ‘Buddhist monks’ and none who could be called ‘prominent’.
The NMAT, at the time, did what they could. We solicited small
contributions from like-minded people, put up posters and held demonstrations.
The NMAT also put together several publications that countered the malicious,
misinformation campaign of pro-LTTE elements. These included ‘The LTTE:
Terrorism Unlimited’ (a photo essay), ‘BULL’ (an assessment of claims such as
the LTTE being the sole-representatives of the Tamil people, is engaged in a
liberation struggle and was invincible), ‘Portraits of terrorism’ (a pictorial
record of the LTTE’s crimes against humanity in Sinhala, Tamil and English),
and ‘Some tears are not newsworthy’ (a critical essay on the pro-LTTE slant of
some sections of the media).
The NMAT didn’t have bucks. The NMAT had the arguments, though.
The NMAT could substantiate argument.
These were what differentiated the NMAT from those who were hell
bent of giving legitimacy to the LTTE and according to it parity of status
vis-a-vis the government of Sri Lanka.
Most important was the fact that the NMAT could call upon people
who had integrity and skill ready to help in whatever way possible. They
provided time, ideas and material free of charge. Some wrote, some translated,
some provided photographs, some gave information, some were layout artists,
some had motorbicycles and some ran errands. Payment, for all of them, was the
privilege of contributing.
I remembered one of the principal contributors yesterday as I was
wading through photographs from those terrible times we’ve left far behind (to
the chagrin, I may add, of those who preferred a different outcome and who,
even as I write, spare no pains to turn back the clock). I remembered the
photograph used on the cover of ‘Some tears are not newsworthy’.
It had been taken immediately after the LTTE attacked Kalyanipura, a village in
Welikanda, killing 12 villagers. The photograph was of a little girl, Danushi Nayanika, around 10
years of age. Her father, Thilak Dhammika, had been killed in the attack.The entire story was in her tear filled eyes. One tear had escaped
and marked the path of sorrow and loss down her left cheek. Another was balance
on eyelash.
The photograph went around the world. The graphic designer,
Amarajeewa, a gentleman and one of the most talented artists of his generation,
played with the image. He turned it into a black-white picture and cropped it
so that only the eyes were shown. To me, it was a classic. Both photograph and
the play on photograph.
That photograph has been used many times by those who wished to
tell the world the story that the LTTE and its apologists were silent about. It
spoke of tragedy, loss, meaninglessness and also about the heart (or lack
thereof) of the tear-giver. Few mention the photographer.
Anuruddha Lokuhapuarachchi worked for Reuters at the time. One of
the most skilled photo journalists this country has produced, Anuruddha
possessed an eye that could extract the ‘human’ in the things he surveyed
through lens and mind. For reasons that are still not clear, though, some
people claiming they were from the Criminal Investigation Division (CID),
entered his house on December 11, 2007, interrogated and intimidated his wife.
That was unwarranted harassment and to date the perpetrators of that dastardly
act have not been brought to book.
I am aware that Anuruddha’s photographs are used without
acknowledgment by those who for reasons best known to them have pinned the
‘traitor’ label on him. I needed to use that particular image, so I wrote to
him. He replied promptly. I quote, without editing:
‘I am appreciate your request because at least you have ethics
more then others who was used my picture without my knowledge as when I inquire
it they called my traitor. Our life still pay back for this pictures but I am
not expecting money for it. This images no more belongs to me, its belongs to
our country. These images show us part of our undeleted history. I believe at
least you keep small space your book for mention to who was captured this
images. Good luck!’
Some might call this patriotism, but it is not. It goes beyond
patriotism. There is understanding of reality and there is compassion,
humility, generosity and equanimity here. This, perhaps, is what gives depth to
the two-dimensional thing that he produces with a click. It is what paints
humanity into the three-dimensional story that he captures, I am convinced.
Anuruddha was not a member of the NMAT. He may or may not have
shared the preferred political outcomes of the NMAT. He may have not thought
that he was doing a lot, but he did.
This country has survived two insurrections, a debilitating war
against terrorism, horrendous constitutional enactments, lived through multiple
crises, suffered the arrogance and ignorance of rulers, weathered the
machinations of forces intent on destabilizing, and consistently fought above
its weight. It must have something to do with what kind of civilizational
drives and philosophical preferences brought us to where we are, I believe. I
believe also that we have survived and will continue to defy all odds for these
same reasons. And I believe that such things manifest themselves and become
relevant in the hearts and minds of exceptional individuals who enhance several
fold the worth of the talents they are born with or the skills they acquire.
Anuruddha Lokuhapuarachchi contributed and will, I am sure,
continue to contribute. Just by being who he is. Affiliated only to professionalism
and empowered by a deep sense of humanity.
2 comments:
Respect to brothers who had vision and heart to see things through. Your mothers don’t owe anymore .(I’m guessing some more would have helped had they survived 87-89).
We are waiting for the day the name-callers too to have the heart to see it was/ still is, all about social justice, not for just one community but for everyone. There is a big difference.
SPUR-Vic supported NMAT to the best of our ability by funding many of the initiatives. Proud to have been associated through SPUR with NMAT. This is a beautiful article and brings back memories of when we too were called racist for trying to rid our motherland of terrorism.
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