I
remember seeing a cartoon featuring a man and a little boy. They were
standing at a point from where they could see a vast span of rugged
desert below them. The man tells the boy, ‘one day, my son, all this
will be infrastructure!’
The man obviously thought that such an eventuality would be a good thing. Maybe the cartoonist was being cynical. The man, however, had imagination. Few would extract a teeming metropole from a wind-swept dust bowl.
That’s one way of
repainting the desert. There are many other ways in which a mind-brush
with heart-colors could create. Better pictures than infrastructure, one
might say. Of course the ‘infrastructuralists’ would beg to differ.
Takes all kinds to make the world. Or break it.
Open spaces. They
make for reflection. Even a grain of sand makes for reflection of
course. Anything and everything contains meditative seed.
A good
imagination can draw forth wonderful things from seemingly inauspicious
elements, big or small, but let’s leave aside such philosophical
objections for a while.
A
clear sky is a canvas. It’s blueness that is a calm ocean turned upside
down. And if there are wisps of cloud, that’s just the foam from
breaking waves. The Book of Clouds is a mystical text that hasn’t yet
been written, but strangely enough one that can still be read. There are
monsters and fairies, all kinds of creatures, landscapes too.
What histories lie buried therein, do we know? Can we imagine? What histories in blood-rush or quietude are to unfold or will there be none, just slow-moving things that watch and keep opinion to themselves? And what stories do solitary trees or those that are dead and yet with dried branches resolutely marking present against a vacant sky have to tell?
We can walk open spaces. We can see
them as books yet unwritten or else as beautifully crafted epics which
can be read if we decode the languages that have evolved over millennia.
Looking for the idyllic in dismal times
Water the gardens with the liquid magic of simple ideas, right now
There's canvas and brush to paint the portraits of love
We might as well arrest the house!
The 'village' in the 'city' has more heart than concrete
Vo, Italy: the village that stopped the Coronavirus
We need 'no-charge' humanity
The unaffordable, as defined by Nihal Fernando
Liyaashya keeps life alive, by living
The 'We' that 'I' forgot
'Duwapang Askey,' screamed a legend, almost 40 years ago
Dances with daughters
Reflections on shameless writing
Is the old house still standing?
Magic doesn't make its way into the classifieds
Small is beautiful and is a consolation
Distance is a product of the will
Akalanka Athukorala, at 13+ already a hurricane hunter
Did the mountain move, and if so why?
Ever been out of Colombo?
Anya Raux educated me about Juvenile Idiopathic Arthritis (JIA)
Wicky's Story You can always go to GOAT Mountain
Let's learn the art of embracing damage
Kandy Lake is lined with poetry
There's never a 'right moment' for love
A love note to an unknown address in Los Angeles
A dusk song for Rasika Jayakody
How about creating some history?
How far away are the faraway places?
There ARE good people!
Re-placing people in the story of schooldays
When we stop, we can begin to learn
Routine and pattern can checkmate poetry
Janani Amanda Umandi threw a b'day party for her father
Sriyani and her serendipity shop
Forget constellations and the names of oceans
Where's your 'One, Galle Face'?
Maps as wrapping paper, roads as ribbons
Yasaratne, the gentle giant of Divulgane
Katharagama and Athara Maga
Victories are made by assists
Lost and found between weaver and weave
The Dhammapada and word-intricacies
S.A. Dissanayake taught children to walk in the clouds
White is a color we forget too often
The most beautiful road is yet to meet a cartographer
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