These are not big match days. Indeed, this year, thanks to Covid19, the so-called Mad March Days were quite sober for the most part. This is not a big match story, although there are references to that time of year.
Ranjan
Madugalle is not a collector of mementos, but Rajiva Wijetunga, who
opened bowling for Royal in the two years that Ranjan captained (1977-78
and 1978-79) is. I wanted to check on something that appeared in the
big match souvenir. ‘I never read it during the match because I didn’t
want to know what kind of stuff had been written about me,’ Ranjan said.
I
was interested in the ‘limericks page.’ Every year, the playing eleven,
captain downwards, would be caricatured in verse. The writer would be
fed by teammates and other friends. Dark secrets would be laid out but
with some elegance, in code that was not entirely beyond breaking. Each
year the limericks came with a headline.
I remembered most,
which Rajiva confirmed. He filled in some of the blanks while Ajith
Devasurendra (skipper in 1981) and Rajitha Dhanapala, my classmate, gave
me the rest.
Samuel Lawton captained in 1974. That team was
lampooned under the title ‘Lawty and his Naughty Eleven.’ And so it
went. We had ‘King Kari and his Merry Men’ in 1975 (Prasanna
Kariyawasam’s year). T.M.S. Saldin skippered in ’76 but his team wasn’t
‘titled’ but had a cryptic intro ending with the promise, ‘Versus…’
Then
came Ashok Jayawickrema (‘Over to the Jayawickrema Clan’) in 1977, ‘The
Complete Works of Ranjan Madugalle’ (1978) and ‘Ranjan’s Gear and
Tackle Trim’ (in 1979, the Centenary Year), Pasqual’s All and Sundry
(when Sudat Pasqual captained in 1980), ‘Deva’s Bag and Baggage’ (for
Ajith Devasurendra’s team in 1981), ‘Charlie’s Match Bag’ (Sumithra
Warnakulasuriya’s team in 1982), ‘In the pleasure of your company’
(Chulaka Amarasinghe’s team, 1983) and ‘Sandy and his Handy Men’ (1984:
Sandesh Algama).
I believe the cricketers were thus caricatured
in 1985 when Heshan De Silva captained and in 1986 (Roshan Jurampathy’s
year). If memory serves me, that’s when it stopped.
There was a
reason. The teacher-in-charge of the Roy-Tho souvenir retired after
serving the school for 15 years. She didn’t sever ties with the school
though. She continued to help students write personal essays when
applying to universities abroad and worked at the school’s Skills Center
in the early years of the new millennium. When you’ve been a part of
any institution for more than 30 years, you become a legend. In her case
it was not just longevity.
‘She was the Grand Old Lady of Royal
College,’ observed Mohammed Adamally, one of her students, more than 25
years after he had last sat in her class.
Her students, some
even in their late sixties now, recall her with love. They have
anecdotes. They have respect. Lots of stories to tell. Here’s one.
One
day she had put an entire bunch of students on detention. They were all
involved in sports. She hadn’t given any reason. They had turned up
after school and she had corralled them into a classroom.
‘Now sit and write down all your achievements!’
They did. Sriyan Cooray, rugger captain in 1983 explained.
‘She
said that if she had not put us on detention and got us to write all
that down, we would never have done it. She collected all the
information and she wrote our character certificates. Thanks to her, I
got my son into Royal because that was the only record I had of my
achievements. My brother Sujeewa, who captained in 1981 couldn’t get his
son into college.’
Ensuring that the sons of students have a
chance of attending their fathers’ alma mater wasn’t her intention of
course. She was at the time the go-to person to write character
certificates of students who were about to leave school or had left
recently. She knew all the students, sportsmen and non-sportsmen, the
smart ones and those who were not considered all that bright. She knew
strengths and knew everyone had something good. She always pushed
everyone (students, friends, colleagues, non-academic staff including
security guards and gardeners) to be the best they believed that could
be and even better.
Looking for the idyllic in dismal times
Water the gardens with the liquid magic of simple ideas, right now
There's canvas and brush to paint the portraits of love
We might as well arrest the house!
The 'village' in the 'city' has more heart than concrete
Vo, Italy: the village that stopped the Coronavirus
We need 'no-charge' humanity
The unaffordable, as defined by Nihal Fernando
Liyaashya keeps life alive, by living
The 'We' that 'I' forgot
'Duwapang Askey,' screamed a legend, almost 40 years ago
Dances with daughters
Reflections on shameless writing
Is the old house still standing?
Magic doesn't make its way into the classifieds
Small is beautiful and is a consolation
Distance is a product of the will
Akalanka Athukorala, at 13+ already a hurricane hunter
Did the mountain move, and if so why?
Ever been out of Colombo?
Anya Raux educated me about Juvenile Idiopathic Arthritis (JIA)
Wicky's Story You can always go to GOAT Mountain
Let's learn the art of embracing damage
Kandy Lake is lined with poetry
There's never a 'right moment' for love
A love note to an unknown address in Los Angeles
A dusk song for Rasika Jayakody
How about creating some history?
How far away are the faraway places?
There ARE good people!
Re-placing people in the story of schooldays
When we stop, we can begin to learn
Routine and pattern can checkmate poetry
Janani Amanda Umandi threw a b'day party for her father
Sriyani and her serendipity shop
Forget constellations and the names of oceans
Where's your 'One, Galle Face'?
Maps as wrapping paper, roads as ribbons
Yasaratne, the gentle giant of Divulgane
Katharagama and Athara Maga
Victories are made by assists
Lost and found between weaver and weave
The Dhammapada and word-intricacies
S.A. Dissanayake taught children to walk in the clouds
White is a color we forget too often
The most beautiful road is yet to meet a cartographer
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