Voltaire’s oft-quoted recommendation, ‘Life is a shipwreck but we must not forget to sing in the lifeboats,’ does offer hope for those who find themselves in hopeless situations, for those who have suffered a defeat or a series of setbacks, as individuals or collectives, but there’s something missing in the l
Good advice. 
There’s something 
missing though. It’s as though it’s all some kind of divine plan, that 
god, let’s say, wanted all people, of all places, of all ages to 
experience shipwrecks and was and is taking notes: who in the lifeboats 
sing and who do not, and to hell with those who drowned.  
Maybe 
that’s all there is to it, if you are ‘a believer,’ that is. I am not. I
 don’t believe in divinity and therefore I don’t believe in divine 
plans. Ships get wrecked in storms and ships that are less seaworthy 
have less chance of weathering storms. Not everyone gets to escape in 
lifeboats and indeed sometimes there are no lifeboats at all. People 
drown. 
Voltaire came to mind when I was looking for a poem by 
Nazim Hikmet and came across the ‘Reflections upon reading a letter from
 Nazim Hikmet (1902-1963), which I wrote in July 2012. The following, in
 particular:
“Pablo Neruda describes in his ‘Memoirs’ Nazim’s 
account of how he was treated after being arrested in 1936. He had just 
published ‘The Epic of Sheik Bedreddin’, the last of his books to appear
 in Turkey in his lifetime and the Government was perturbed by the fact 
that military cadets were reading his poetry, especially ‘The Epic’. 
“Neruda
 relates: ‘He was stuck into a section of the latrines where the 
excrement rose half a meter above the floor.  My brother poet felt his 
strength failing him. The stench made him reel. He knew then that his 
tormentors wanted to see him suffer. So he sang, low at first, then 
louder and finally at the top of his lungs, all the songs he remembered,
 love songs, his poems, the ballads of peasants, the battle hymns of the
 people. And so he vanquished filth and torturer.’
“In 1961, 
writing his biography in East Berlin, Nazim wrote: ‘Even if today in 
Berlin, I’m croaking with grief, I can say I’ve lived like a human being
 and who knows how much longer I’ll live, what else will happen to me?’”
Nazim
 spent most of his life in prison or in exile. If his life was a 
shipwreck, what he’s described above is just a small element of the 
tragedy. It’s as though his life was one shipwreck after another, an 
angry ‘god’ punishing him over and over again for the sin of singing in 
the lifeboats he made for himself from wreckage he painstakingly mined. 
Yes,
 he is not alone. Throughout history, there have been shipwrecks and 
shipwrecks, lifeboats and lifeboats, life-savers and self-liberators, 
people who were subjected to ‘trails’ similar to those Nazim faced. Or 
worse.  Voltaire was speaking in a different context of course, but not 
everyone who quotes Voltaire thinks of asking, ‘who made those damn 
ships so they cannot withstand a storm?’ They don’t ask, ‘who sent that 
storm our way, what kind of god does that?’ They don’t seem to be 
perplexed by the fact that ships get wrecked in calm waters that roll 
gently pushed by balmy breezes under cloudless skies.  
Voltaire 
prescribes singing but not songs. What are the songs that the 
shipwrecked sing or should sing? Should they sing the praises of gods in
 hope of divine intervention of a kinder, gentler kind? Could they, god 
forbid, sing about shipwrecks and ship-wreckers. Should the lyrics 
include a resolution to build better ships, so that people won’t have to
 sing consolation-songs in lifeboats but can sing upon the decks 
themselves?
Nazim sang. This is why we know of singing and 
shipwrecks of a different order, and why in East Berlin, even as he was 
choking with grief he was convinced that he had lived as a human being. 
And among his songs, there was one written in 1949 titled ‘Keep your 
heart’ [with a subtext I read as follows: keep your heart at all cost, 
in whichever prison you happen to be].
‘Read and write without rest,
and I also advise weaving
and making mirrors.
I mean, it’s not that you can’t pass
            ten or fifteen years inside
                                    and more –
            you can,
            as long as the jewel
            on the left side of your chest doesn’t lose its lustre!’
Voltaire
 meant well. We must not forget to sing in the lifeboats if, indeed, we 
find ourselves shipwrecked. What’s important is that we choose to sing, 
what we choose to sing about and what we do while singing. And making 
sure that the jewels on the left side of our chests do not lose their 
lustre. 
 ['The Morning Inspection' is the title of a
 column I wrote for the Daily News from 2009 to 2011, one article a day,
 Monday through Saturday. This is a new series. Links to previous articles in this new series are given below] 
Other articles in this series:
Jekhan Aruliah set a ball rolling in Jaffna 
Awaiting arrivals unlike any other 
Teachers and students sometimes reverse roles 
Colombo, Colombo, Colombo and so forth 
The slowest road to Kumarigama, Ampara 
Some play music, others listen 
Mind and hearts, loquacious and taciturn 
I am at Jaga Food, where are you? 
On separating the missing from the disappeared 
And intangible republics will save the day (as they always have) 
The circuitous logic of Tony Muller 
Rohana Kalyanaratne, an unforgettable 'Loku Aiya' 
Mowgli, the Greatest Archaeologist 
Figures and disfigurement, rocks and roses 
Sujith Rathnayake and incarcerations imposed and embraced 
Some stories are written on the covers themselves 
A poetic enclave in the Republic of Literature 
Landcapes of gone-time and going-time  
The best insurance against the loud and repeated lie 
So what if the best flutes will not go to the best flautists? 
There's dust and words awaiting us at crossroads and crosswords 
A song of terraced paddy fields 
Of ants, bridges and possibilities 
From A through Aardvark to Zyzzyva  
Words, their potency, appropriation and abuse 
Who did not listen, who's not listening still? 
If you remember Kobe, visit GOAT Mountain 
The world is made for re-colouring 
No 27, Dickman's Road, Colombo 5 
Visual cartographers and cartography 
Ithaca from a long ago and right now 
Lessons written in invisible ink 
The amazing quality of 'equal-kindness' 
The interchangeability of light and darkness 
Sisterhood: moments, just moments 
Chess is my life and perhaps your too
Reflections on ownership and belonging 
The integrity of Nadeesha Rajapaksha 
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows 
Fragrances that will not be bottled  
Colours and textures of living heritage 
Countries of the past, present and future 
 Books launched and not-yet-launched 
The sunrise as viewed from sacred mountains 
Isaiah 58: 12-16 and the true meaning of grace 
The age of Frederick Algernon Trotteville 
Live and tell the tale as you will 
Between struggle and cooperation 
Neruda, Sekara and literary dimensions 
Paul Christopher's heart of many chambers 
Calmness gracefully cascades in the Dumbara Hills 
Serendipitous amber rules the world 

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