It must have been in the year 2001 that all this happened. No, before we get ahead of ourselves, I didn’t win a Pulitzer back then. And not after. This is about Eranga Jayawardena the photojournalist working for the Associated Press who was among three photojournalists shortlisted for a Pulitzer Prize.
I met Eranga in the year 2000. That’s when I formally entered the field of journalism, joining the editorial staff of the 'Sunday Island.' Eranga was comparatively a veteran, having joined Upali Newspapers some years before. Our friendship is almost a quarter of a century old and obviously we have many stories to tell about each other. I will stick to the photography-related story.
There were many photojournalists at Upali Newspapers, some of them truly veterans in the trade. Eranga was probably the youngest. He was good friends with Saman Indrajith, one of my closest friends at the Island. That’s probably how we became friends.
I think it was in 2001 that I got involved in the features section of the newspaper. With the permission of the Editor, Manik de Silva, and the Features Editor, Zanita Careem,’ I took over a page of what was then called the ‘Lifestyle’ section. It was for a photo essay. Eranga provided the photographs, I gave a headline and wrote a paragraph or two. It was pretty. It was made prettier subsequently when Shantha K Herrath of the Divaina, an artist, cartoonist, layout designer, teacher and friend, helped design the page.
Eranga faithfully provided photographs. The page was done on Thursday because that section went to print on Thursday night. This went on for a few months. I enjoyed producing this page. It all depended on Eranga delivering photographs that Shantha Aiya could play with.
One Thursday Eranga didn’t deliver. This I had forgotten until yesterday.
I called Eranga to congratulate him on being shortlisted for a Pulitzer. I had thought that the winner hadn’t been announced. Eranga told me otherwise. Then he told me that when we were both at Upali Newspapers I had written him a formal letter.
"It is with regret that I inform you about the fate that has befallen Page 3 of the ‘Lifestyle’ supplement of the Sunday Island. As you are aware, in the midst of all kind of problems, we have managed to carry a photo essay on this page for a whole year. Among these difficulties is the strange truth that category of persons who have expended the least effort in maintaining quality and continuity of this page are the photographers themselves. As you are aware, this has probably been the best opportunity offered to photographers in the entire history of newspapers in this country to express themselves and improve their craft. This week I am extremely sorry to have to inform you that Page 3 of the Lifestyle section will not carry a photo essay. I do not know who is to blame, and in any case ‘blaming’ will not any of us anywhere. I only want to say this: I tried. And failed."
I had forgotten all about this. But for all the seriousness, it was essentially a joke. Friend to friend and for the pleasure and joy of other friends. Newspapers are like that. Journalists are like that. We enjoy teasing each other. Shamindra Ferdinando and Rex Clementine, still at ‘The Island,’ are grandmasters at it.
Eranga informed me that I had gone further. I had, he says, put up something on the notice board near the canteen. It was in the form of a ‘missing person’ notice with a not so flattering picture of Eranga. He said he has it somewhere and will look for it. The gist: ‘This person, Eranga Jayardena, has gone missing. He promised to deliver some pictures and left the office. He has not been seen since. He was last seen wearing a blue checked shirt.’ It might have contained information of who should be informed should the missing photojournalist be spotted.
It touched me, though, that Eranga had bothered to hold on to these pieces of paper for more than twenty years. He said that it mattered to him: ‘even something in which you’ve scolded me was important to me.’ He’s like that. Modest. Soft. Self-effacing even. Never forgets a face. People know, companies may not. A pity, that.
So, anyway, that, ladies and gentleman, is as close I could get to a Pulitzer Prize. Indeed, all things considered, far more precious. So thank you, Eranga. And congrats again.
['The Morning Inspection' is the title of a
column I wrote for the Daily News from 2009 to 2011, one article a day,
Monday through Saturday. This is a new series. Links to previous articles in this new series are given below]
Other articles in this series:
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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