Jayanath Bodahandi (Bodhi), the eldest in his family, would have been just out of school when his father, an illustrator at an advertising agency, passed away. Bodhi could draw and the kind people at the agency offered him a job.
There was a problem. Bodhi lived in Balapitiya and the salary would hardly cover expenses such as rent, food and bus fare. There was a solution. The hamuduruwo of the village temple arranged for him to stay in a temple in Colombo.
Bodhi returned to the temple late after his first day at work to find there was no food for him. The loku hamuduruwo had explained that it wasn’t a rich temple frequented by wealthy and generous laity; it was not possible to provide meals.
Bodhi went to sleep hungry. He was up early the following morning. He decided that this arrangement wasn’t working. He had just enough money for the bus to Balapitiya. So he went to work. No, not to the advertising agency. The temple.
He picked up an idala (ekel broom) and started sweeping the temple premises. As he was finishing, he noticed the loku hamuduruwo watching him. When he was done, he kept the idala aside, went up to the loku hamuduruwo, worshipped him, thanked him for allowing him to stay and told him that he had decided to give up on his job and return home.
The loku hamuduruwo understood Bodhi’s predicament. He dissuaded the young man: 'thiyena vidihakata kaala imu; yanna ona naha (you don’t have to go; let’s manage with what we have).'
Years later Bodhi said that in retrospect the exercise of sweeping the temple compound was like an advertising campaign.
It was a simple act. An act of gratitude for something simple that he received — a roof over his head for one night. It led to a career in advertising that saw him become a creative director at a top agency and then starting off on his own.
Two things reminded me of Bodhi’s story, a poem and a photograph. First, the poem.
පා අවට à·€ිà¶à¶»à¶ºි
පිරිà·ƒිදු කළේ ඉදල
අවසානයේ
අà¶ුගෑà·€ිලා මිදුල
Essentially: the ekel broom sweeps around or close to the feet, but it is an entire compound that has got swept.
The poet throws soft light on the simple and commonplace and makes visible profound truths, as is evidenced in most of the poems in the collection, Suminda Kithsiri Gunaratne’s sixth, Prisma (Prisms).
That which needs to be done right now, then, needs to be done with absolute integrity of the faculties, with composure, dedication and unwavering resolve. Large and complex extents, physical and otherwise, get cleared thereby.
Bodhi was sweeping the area close to his feet; the entire compound got swept . Rev Kalutara Dhammananda Thero was sweeping the area close to his feet; and now people know there's a place called Buddhangala in Ampara. The hamuduruwo in the photograph is sweeping the area closest to his feet; it’s an example, a study in concentration that throws a lot of light on right conduct.
Tharindu, in his photographic endeavours, is essentially covering or rather clearing nearby-ground; he ends up clearing vast areas of the mind, his and (at least) mine. Suminda uses pen as an idala. He removes clutter, keeps things tidy. He is in fact casting a thin ray of light on the mind’s prisms which duly disperses and shows things in their true colours.
['The Morning Inspection' is the title of a
column I wrote for the Daily News from 2009 to 2011, one article a day,
Monday through Saturday. This is a new series. Links to previous articles in this new series are given below]
Other articles in this series:
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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