When you are a freelancer, you can’t ask someone to meet you in your office. Indeed, some offices won’t tolerate random people dropping in for a chit-chat. When you live far away you can’t ask people to come home for a work-related discussion. ‘Online’ is possible, but then again face-to-face is often best for certain conversations, especially when it could be important to read a mind by the way someone holds his or her eye, the expressions that materialise on the face, the mannerisms etc.
So I have to think of ‘common ground,’ and over the past four years or so, I realise now, ‘Let’s meet at “The Commons,”’ has become a frequently used suggestion.
I’ve waited here for my daughters to be done with whatever they were doing. I’ve met old friends, cousins, nieces, students, political associates, poets and other writers. We reminisced about old times, laughed at each other and ourselves, spoke about possible futures, dissected the political, debated the merits of ideologies, wandered into philosophical countries, reviewed literature or just enjoyed moments of shared silence.
I am not waiting for anyone right now. My older daughter is sitting with me, biding time before moving on to the next thing on the day’s agenda. The music is always soft. There are a few customers but soon there will be more.
The proprietor who was known to an earlier generation as the best DJ in town, ‘Harpo’ Goonaratne may walk in at any time and if he does he would smile and nod his head in acknowledgment not because I am a frequent customer but he’s just friendly to one and all.
There are familiar faces behind the counter. Security Officer Abeyratne who smiled and said ‘good afternoon’ as I walked in would probably ask ‘yannada sir (are you leaving, sir)?’ Maybe he would have been replaced by Kingsley and if so it would be Kingsley who asked this question. I will stop for a minute and exchange pleasantries.
Today, i.e. the 4th of May, 2023, ‘The Commons’ turns 18. I can’t remember the first time I came here. It has to be over 10 years ago. The architecture hasn’t changed much. The quality of the food and various beverages hasn’t changed much. There are other frequent customers, some of whom have become friends. The staff probably knows who the regulars are but I’ve noticed that lack of familiarity doesn’t translate into lesser service quality.
I have seen people to whom I’ve said ‘Let’s meet at the commons,’ come here with friends. Maybe some of them also used the same words. Every single day I come here I see someone I have never seen before and at least a few familiar faces. Eighteen years is a long time. Who knows how many customers have been served? Who can tell how many have returned, alone or with a friend or two thereafter?
I’ve not carried out a customer satisfaction survey, but I am satisfied. In fact I am yet to find anyone who was not. I have not sampled all the food because I don’t eat meat or fish. I have my coffee preferences. I’m not a connoisseur of these things. If you ask me and I said ‘good’ it could mean excellent, passable, palatable or less. I’m low-maintenance in these things.
For me ‘The Commons’ is about atmosphere. It’s the music, the interior decor, the peals of laughter coming from some corner of the premises, the courtesy shown by the staff, Harpo’s occasional ‘hello,’ and the ‘you are welcome’ signs that are all over the place but not in black and white.
I can come anytime I like and be the last to leave. There’s always a cricket or soccer match I can watch on the television set if and when I need a break from whatever it is I am doing. For example, I just saw the Lucknow Super Giants being bowled out for 109, giving the Royal Challengers Bangalore an 18 run win in the 43th match of IPL 2023. Just the match highlights, but entertaining enough to justify a break.
Sometimes I ask for a glass of water and sometimes I get one without asking. When it gets a bit crowded, I retire to the open space at the back of the cafe, replete with fans, tables and chairs, a couple of stools and light streaming through the trees. Out of the way. There’s always room for another at ‘The Commons.’
There’s always space. But it’s not this assurance that makes me tell friends from time to time, ‘let’s meet at the commons.’ It’s my place. As privately owned as it is by anyone else. A different kind of commonality, but most certainly pleasing.
['The Morning Inspection' is the title of a
column I wrote for the Daily News from 2009 to 2011, one article a day,
Monday through Saturday. This is a new series. Links to previous articles in this new series are given below]
Other articles in this series:
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
2 comments:
Love this!!
Love this!!
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