A few years ago when people were debating the merits and demerits of two official versions of the national anthem, i.e. in Sinhala and Tamil, I argued against a ‘Sinhala Only’ version. The notion of an official national anthem did not exist one hundred years ago, I argued. I have also argued that ‘nation’ is not contained or containable in an anthem, a flag or an identity card.
One of the articles written along these lines was titled ‘The Tamil version of the National Anthem is beautiful.’ Not too long after writing that piece, quite by chance, I did get an opportunity to listen to some school children singing the Tamil version of the National Anthem.
It was just before school was closed for the day, probably around 1.30 pm. The children of Shannon Tamil Maha Vidyalam were singing. The Tamil version. And a little Tamil girl, still too small to attend school, next door to the house I was visiting, sang along. In Sinhala. And I remember being amused by all the hot air spouted in the name of the nation in circles far removed from Hatton.
Last night I returned to the national anthem or rather the idea of a national anthem. A few friends had gathered to reminisce about times long gone. They had gathered to sing. So they spoke of singers and lyricists, doing their best to honour the greats who had been part of their journey from childhood to manhood and now old age. At one point, one of them, my brother Arjuna said, ‘jaathika geeya kiyamu (let’s sing the National Anthem).’
It was late. The thought crossed my mind that he wanted to wrap things up and go home. Then he started strumming his guitar. And the words, slow, were breathed out softly: ‘ratna deepa janma bhoomi…’
The others joined. With gusto laced with tenderness. As in any song celebrating ‘nation,’ there’s a heavy layering of history and heritage. There will of course be those who object to the word ‘jathiya’ and of course to ‘Sinhale,’ both of which have got sullied by both abuse and vilification, but I would invite anyone who is clueless about the song to just listen to the melody. It is as national as it can get, as far as I know. No less national than anything associated with the word. For me, as for the others who sang it last night, THE national anthem, my brother is right.
We did not fall upon this island from the sky. We were born in a territory upon which history made identifiable marks. Not unblemished and yet not without heroes and heroism. Not untouched by tyranny and yet a land where the selfless sacrificed lives for the benefit of fellow creatures.
The blood shed in the name of a collective did not congeal into precious stones, not in a literal sense, but if this land, this culture, these people are resilient, selfless and honourable ever, they do owe something to those courageous people who came before, who fought, who fell and who in falling made sure others would not have to kneel forever.
The life-breath they yielded as final gift did not and does not waft across reservoirs majestic and humble, perfume flowers and grain, and fill hearts with joy. No, not in a literal sense. And yet, they did flavour history, they did moisturise heritage, they did leave a mark, whether or not it is recognized.
That’s for me. That’s for a few of us last night who sang this song and then paid homage in remembrance to Mahagama Sekara and W D Amaradeva. Someone else, other collectives, might not be moved. Their national anthem equivalent might have very different lyrics, but for many, I’m sure, there’s a song (and it could be more than one song too) that captures what they understand as ‘nation,’ better than any other melody. A poet who is not named Mahagama Sekara would have written it. A singer who is not W D Amaradeva would have sung it.
I asked my friend Jude Jayaprekash. He mentioned one. Vidai Kodu Engal Nadai (Bidding farewell to my country). A song from Mani Ratnam's movie ‘Kannathil Muthamittal (A kiss on the cheek)’ with A R Rahman composing the music. There are probably other ‘national anthems.’
The more there are the better, I feel, because anything that reconnects someone to land, history, heritage and one another could be wholesome. It could be a perspective that is not shared by all. On the other hand, the fact of assigning privilege would be common to all. It can therefore be understood, appreciated and even celebrated. A chorus of national anthems. Not a bad idea, I think.
Other articles in this series: 
Respond to insults in line with the Akkosa Sutra 
The right time, the right person 
The silent equivalent of a thousand words 
Crazy cousins are besties for life 
The lost lyrics of Premakeerthi de Alwis 
Consolation prizes in competitions no one ever wins 
Blackness, whiteness and black-whiteness 
Inscriptions: stubborn and erasable  
Deveni: a priceless one-word koan 
Recovering run-on lines and lost punctuation 
'Wetness' is not the preserve of the Dry Zone 
On sweeping close to one's feet 
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts... 
Debts that can never be repaid in full
An island which no flood can overwhelm 
A melody faint and yet not beyond hearing 
Heart dances that cannot be choreographed 
Remembering to forget and forgetting to remember 
Authors are assassinated, readers are immortal 
It is good to be conscious of nudities  
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten 
Kumkum Fernando installs Sri Lanka in Coachella, California 
Hemantha Gunawardena's signature 
Architectures of the demolished 
The exotic lunacy of parting gifts 
Who the heck do you think I am? 
Those fascinating 'Chitra Katha' 
So how are things in Sri Lanka? 
The sweetest three-letter poem 
Teams, team-thinking, team-spirit and leadership 
The songs we could sing in lifeboats when we are shipwrecked 
Jekhan Aruliah set a ball rolling in Jaffna 
Awaiting arrivals unlike any other 
Teachers and students sometimes reverse roles 
Colombo, Colombo, Colombo and so forth 
The slowest road to Kumarigama, Ampara 
Some play music, others listen 
Mind and hearts, loquacious and taciturn 
I am at Jaga Food, where are you? 
On separating the missing from the disappeared 
And intangible republics will save the day (as they always have) 
The circuitous logic of Tony Muller 
Rohana Kalyanaratne, an unforgettable 'Loku Aiya' 
Mowgli, the Greatest Archaeologist 
Figures and disfigurement, rocks and roses 
Sujith Rathnayake and incarcerations imposed and embraced 
Some stories are written on the covers themselves 
A poetic enclave in the Republic of Literature 
Landcapes of gone-time and going-time  
The best insurance against the loud and repeated lie 
So what if the best flutes will not go to the best flautists? 
There's dust and words awaiting us at crossroads and crosswords 
A song of terraced paddy fields 
Of ants, bridges and possibilities 
From A through Aardvark to Zyzzyva  
Words, their potency, appropriation and abuse 
Who did not listen, who's not listening still? 
If you remember Kobe, visit GOAT Mountain 
The world is made for re-colouring 
No 27, Dickman's Road, Colombo 5 
Visual cartographers and cartography 
Ithaca from a long ago and right now 
Lessons written in invisible ink 
The amazing quality of 'equal-kindness' 
The interchangeability of light and darkness 
Sisterhood: moments, just moments 
Chess is my life and perhaps your too
Reflections on ownership and belonging 
The integrity of Nadeesha Rajapaksha 
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows 
Fragrances that will not be bottled  
Colours and textures of living heritage 
Countries of the past, present and future 
 Books launched and not-yet-launched 
The sunrise as viewed from sacred mountains 
Isaiah 58: 12-16 and the true meaning of grace 
The age of Frederick Algernon Trotteville 
Live and tell the tale as you will 
Between struggle and cooperation 
Neruda, Sekara and literary dimensions 
Paul Christopher's heart of many chambers 
Calmness gracefully cascades in the Dumbara Hills 
Serendipitous amber rules the world 
 

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