‘Vanished Trails’ is the title of a novel by R L Spittal woven around the lives of three generations of Veddas, their engagement with changing circumstances and the consequent transformations. The Vedda as a ‘wild man’ is, according to famed Anthropologist Gananath Obeyesekera, is largely a myth for the community, taken as a whole, is varied and has been variously placed in the overall social, economic and political systems that have prevailed in the island.
There were, I remember him once saying, the ‘Bandara Veddas,’ who were part of the nobility. The Vaeddas formed the first line of defence in various kingdoms and principalities at different moments in history, he pointed out during that same lecture.
Human beings make trails. Depending on their usefulness or otherwise they become well trodden pathways or vanish. Trails, of one kind of another, are constantly being made, constantly being erased.
The world, the land, a community, journeys and even the life of a single human being can be talked of in terms of tracks and vanish(ing). Destinations call to us. Ignorance and arrogance lead us astray but ‘getting lost’ has its virtues too — we walk, we make pathways as we walk, we encounter the unanticipated which has its own delights. We discover secrets, rediscover the forgotten and unrecorded, we find ourselves.
There are rocks that will not suffer footprints. There are trails lost because infrequent use allows grass, weeds and plant life to recover that which was unintentionally robbed. Revisitation reveals that the world has changed. The tree that was a landmark is gone, we find, and the rock we sat on is hidden under leaves or moss. The path that too a Vaedda, ‘Bandara’ or otherwise, from here to there and somewhere else as well, can vanish but might very well leave some signs of having existed. That’s for trackers to find out and they usually do.
That which was charted is erased, is destroyed by the silverfish of time, fungi of neglect and the termites of fresh adventures. The old house may be gone and even if it still stands those who made memories in it pass on; the paint of remembrance is lumpy and strangles the throat of memory.
And yet, repainting cannot really be outlawed. Re-walking dimly lit tracks almost covered with discredited leaves or along the imagined traces left by explorers who came before cannot be prohibited.
That which is vanished cannot be magically brought back to life, but there are ways in which obliterated traces reveal themselves to us. Patience, a slow step and a heart whose doors are open to visitation of any kind: these are possible preconditions, ways of being and traveling advocated by the laws of place and time.
A few years ago, noticing a sign put up by the Department of Archaeology, my friend Tharindu Amunugama decided to go look for ‘Kosgaha Lena.’ This was off the Polonnaruwa - Maduru Oya road and part of the larger Dimbulagala Complex. He had been there before but had forgotten how to get there. There were no directions. We asked someone. He asked us to proceed in the same direction until we came across a kumbuk tree. We had to cross the irrigation canal that ran parallel to this track on the right (on our left was an extensive tract of paddy fields).
We found the tree, crept under an electric fence, crossed the canal and walked along a faint path into the jungles beyond. At one point the track came to an end. It was just too rocky. Tharindu couldn’t remember the direction in which the caves were located. We scouted around for a while, saw a lot of fresh elephant dung and after an hour or so of exploration, decided to turn back. The trail had vanished. Memory had been erased.
A couple of days later, having explored other parts of the Dimbulagala Complex, especially Namal Pokuna, Nil Diya Pokuna and the Pulligoda Gal Ge frescoes, we realized that we were on the very same road, except we were approaching it from the opposite direction. The kumbuk gaha was recognised. A different villager explained to us why we hadn’t been able to find the continuation of the trail. A new journey, then. It got us to Kosgaha Lena. In the rain.
In a different century, no one would have needed directions to this place. In this century, there were very few who could give directions. Tharindu must have made tracks during his first visit. They were gone. We couldn’t make tracks this time around because we were too lost. And then that which seemed to have vanished became visible. There appeared a trail where previously there was none. We made a journey that had been made by many whose names we did not know.
Other articles in this series:
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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