The names, for the most part and for most people, would be unknown. Faces: easier but not by much. The hearts were eminently recognisable though. It was not an official gathering and not one planned by some official body, but the call by a few energetic alumni of the University of Peradeniya who were undergraduates in the 1980s was answered by hundreds of contemporaries from all the faculties.
The festivity - a bit of theatre, some speeches, a lot of music, an inter-faculty cricket tournament - was grand accompaniment to what it was all meant to be and was: a stroll into the past with old friends along multiple avenues decked with red flowers, tears and laughter.
Conversations, essentially. Of these there would have been many. Those with better memories or were better narrators regaled their respective audiences with anecdotes, those out-of-class things that is what is most remembered years after the world of books, lectures, exams and such have been left behind. Stories of people present. Stories of those who died, naturally and otherwise, while still undergraduates. Stories of those who are no longer around.
The dead. We had more than what could be called our fair share.
Padmasiri, June 19, 1984. Not an activist’s death, but one which
inspired activism related to the incident, naturally, and other issues
as such there would be. And, sadly, death that could no longer be
dismissed as ‘random’ or ‘accidental.’ Death that was deliberate even
if, as some would argue, summoned by those who claimed to represent the
classes to which the victims belonged; death that visited homes. And
then, therefore, names remembered; the leaders, followers and those
whose only crime was a singularly tragic status: undergraduate.
So we walked along that city (nagaraya) of another lifetime, the nagaraya that brought people together and sent them along divergent pathways, the nagaraya
made of poetry cascading from the vines, floating in winds made visible
by rains that move laterally, etched in love notes and disclosures that
came too late, the nagaraya that was home to others later and is
now home to still others, among them, children of the children of that
time marked by upheavals unanticipated and yet lived through with
fortitude and secret tears.
Reunions are about recognition and
that is made for delight, embarrassment, understanding and forgiving.
There was a lot of that on the 17th of June, 2023 from early morning to
late evening. Confirmation grew as the hours went by: ‘yes, that’s
certainly him, eminently recognizable,’ ‘yes, she is delightful as she
was, adorable and enchanting.’
And so they communed, having
banished at least for a while the deeper wounds, the regrets and
squandered moments. Those who could never hold a tune, nevertheless
sang. Those who could also did. They were all applauded. Those who had
never attended cricket practices, executed lovely cover drives to wild
cheers.
Duly updated about lives, thrilled to catch up, numbers must have been exchanged and promises made to meet again soon.
This
university is not that university. These times are different. Reunions
can’t turn all clocks back, but some reversal is possible. Speaking
strictly for myself, I remembered those who left while still students,
some who passed on later. I remembered what the WUS ‘Wala’ and the
Sarachchandra ‘Wala’ meant to me, theatre and theatrics, the grand
finale of the the Gandharva Sabhava, the demonstrations, political
discontent, clashes that seem so petty now, fellow students, teachers
and times in the various canteens and halls of residence.
The
university, as it was then, was ‘decorated’ with posters.
‘Administration is atrocious and pernicious,’ someone said. He then
explained, ‘there are so many posters about all the wrongs committed by
the paripalanaya, just as there were when we were students!’
And
we laughed at how little has changed. People, being so much older, were
far more tolerant. ‘Enemies’ of that other era in a different century,
embraced and laughed recalling how young and silly they had all been.
Old enough now to know that no one is really bad, that everyone is at
worst, ‘ok.’
The Galaha Road, from Wijewardena Hall to the Alvis
Pond, was lined with red flowers. There must have been other flowers of
other colours elsewhere, noticed by other people, the hundreds who were
visiting, revisiting and probably recollecting other flower-days.
One
flower for each friend who did not arrive, one each for friends who
will not return, one for each poignant memory, one each for dreams, one
for each unforgettable line uttered and heard, one for each act of
arrogance and idiocy by way of acknowledging error and seeking
forgiveness, many for those who tirelessly worked to make all this
possible. Together, a singularly Peradeniya bouquet.
Other articles in this series:
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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