Sketch by Tharindu Amunugama |
There’s controversy brewing over the building of a temple atop Bathalegala. Environmentalists claim that such constructions will have a detrimental impact on flora and fauna. Some say it’s ‘visual pollution,’ since it is an artificial construction that scars views of a natural landscape. The view from what is clearly the loveliest stretch of the Colombo-Kandy Road, between Mawanella and Kadugannawa would be scarred.
True.
Any human intervention that involves any kind of construction on any landscape is a scar it could be argued.
On the other hand, the fact that few if any have vented at other kinds of construction raises questions regarding selective angst. There’s been hardly a whimper about the planned construction of a road to an illegally constructed church in Pallekhandal within the Wilpattu National Park. There’s been some noise over the construction of hotels in similar landscapes, but nothing like the shouts and screams over this particular construction.
Perhaps it has something to do with the fact that Bathalegala was ‘christened’ as ‘Bible Rock,’ probably by some Englishman. Perhaps it’s just because Bathalegala can be seen whereas, for example, the Pallekhandal Church is not.
Those involved in the construction claim a legal right. The objectors would want such claims examined and, even if authentic, revoked. How things unfold is left to be seen.
So there’s religion. There’s ecology. There’s politics. There are clearly ego issues here. There’s perceived wrongdoing; desecration according to some of a touch-me-not landscape which others would call out the humbuggery of selectivity. It’s complicated. Nevertheless, the young poet Lahiru Karunaratne who says so much with so few words offered an apt comment in the following poem:
කන්ද
මහ සෑයකි
උඩට නොනැඟද
මල් මිටක්
පාමුල පුදනු හැකි…
A splendid chaityaya
is the mountain
to which flowers can be offered
even without climbing the summit
but at its very base…
People find succour from religion in many ways. For some, it’s prayer. For others, devotional song. For still others, deep reflection on the tenets of the particular doctrine. People have beliefs and beliefs are often at odds with one another. These are all subjective. No one has some kind of divine authority to order religious practices in terms of worth. Perhaps it is high time that laws pertaining to what can be and cannot be built, where and where not are reviewed.
There are places of religious significance in all kinds of places — deep in the jungles out of deliberate need for seclusion or simply because the jungle has reappropriated territory, on top of hills, stand-alone rocks and mountains, in valleys lush and lovely. You find them by rivers, reservoirs and the ocean.
Religion and doctrine, let us not forget, are not coterminous. Both mean different things to different people. Lahiru is right, as far as I can understand Buddhist philosophy and in terms of my preferred religious practices. He could be dead wrong in someone else’s bible, so to speak. For the record, when I reached the summit of Bathalegala more than forty years ago with some friends, 'worship' of any kind was not in my mind. If at all, what was venerated was the silence, the calm, the view, a sense of achievement but more than all this, good times with friends.
And now, having read Lahiru's poems, I feel compelled to say that reflection cannot be harmful. Reflection on the politics, the economic factors, the environmental concerns, names and naming. Reflection on the transient nature of all things. Most of all.
Tharindu Amunugama, for whom vandanaa is about feet and gaze, and who gives meaning to notions of connectivity by taking and sharing photographs, recently posted a sketch on Facebook.
‘A quick sketch,’ he said. A sketch that speaks of forest monasteries and hidden trails. It was inspired, he said, by a drip-ledge cave temple in Nathagane. Nathagane Aranya Senansanaya is located in the Kurunegala District and at the foot of a 350m high range of hills. Also known as Mundakundapola Nuwara with a history that goes back to the 2nd-3rd century BC, it is speculated that it has at different times been a fort, a palace and a temple.
Time passes. Names change. The meaning of things get altered. We make mountains out of molehills and reduce monumental issues to ‘brushable’ specks of dust. Mountains are tropes. They are sacrificial altars. They are temples too.
Gaze is a flower, insignificant for some, meaningless for others, but an offering nevertheless. I prefer to stand with Lahiru Karunaratne. I prefer to meditate on impermanence.
malindadocs@gmail.com
Other articles in this series:
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
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Mind and hearts, loquacious and taciturn
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On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
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So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
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No 27, Dickman's Road, Colombo 5
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Ithaca from a long ago and right now
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The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
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Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
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