Ernesto Che Guevara's ‘Bolivian Diary' and ‘Reminiscences of the Cuban Revolutionary War’ are perennial favourites among those who are convinced that peaceful social transformation is impossible and therefore armed insurrection is inevitable. Guerrilla warfare of course is not the preserve of revolutionaries; it is a strategy that has been employed by the world’s worst terrorists and also counter-revolutionaries of the worst kind.
A lesser known account would be Omar Cabezas’ ‘La montaña es algo mas que una inmensa estepa verde,’ translated into English as ‘Fire from the mountain.’ It is the story of his life with the Sandinistas in the late 1979s. Cabesaz would eventually rise to be a commander in the guerrilla war against the Nicaraguan dictator Anastasio Somoza Debayle.
I was reminded of Cabezas and ‘Fire from the mountain’ recently when I read a journal entry written by Dennis Welton during a hike across Spain along an old pilgrim trail, the Camino de Santiago.
Welton comments on backpacks that travellers carry with them. He points out that sometimes one has to walk miles and miles with a loaded backpack in order to truly understand what is really important to carry.
Cabezas, I recall, wrote about the same thing. Typically, he wrote, younger or newer recruits would stuff their backpacks with all kinds of things including mementoes that helped them remember people and things they cherish. He mentioned that more senior and seasoned campaigners would watch out for moments when the younger comrades, unable to bear the weight, would discard cans of food. They would pounce on them. They knew enough about what was useful for survival and what was discardable in the larger order of things.
The war or, if you want to be general about traveling and weights, the distance traveled, has a way of unburdening one and all. It’s not always about the weight, Cabezas points out. One by one those precious artefacts from a different lifetime were lost. A handkerchief, a photograph, a love note…such things are inevitable casualties in war just as a human life.
Welton, however, had an interesting take on ‘burdens.’ He claims we tend to pack our fears. Consider the following paragraph from the journal entry:
‘Something I heard along the way has really stuck with me and I was thinking about it today. They say that "We carry our fears in our backpacks". In other words if you are afraid that you will run out of food and go hungry then you carry too much food. If you are afraid of freezing then you carry too many clothes. If you fear not being able to find a place to sleep then you load yourself down with a tent and camping equipment. Of course all this extra stuff is heavy, which makes us tired and sore and often causes injuries. The soreness and pain make us irritable and cranky and often that is what our fellow hikers see. They don't see the real us! They are seeing the result of the pain caused by carrying our fears and too much junk in our backpack.’
Welton extrapolates further. He suggests that much of the excess baggage we carry around with us in life is the product of our fears.
‘We keep lugging around things that we should have dumped long ago. The result is that the people in our lives do not get to see the real us. They don't get the best of us. Many times they are on the receiving end of the pain caused by the useless junk we are carrying around with us. Often, we have been hauling it around for so long that we have started to believe that it is part of who we are.’
And he recommends that we do what backpackers eventually do: ‘unpack the overloaded personal backpacks, examine each item honestly, determine if we actually need it or not and if it is really serving a purpose; if not, then leave it behind and move on.’
Fixations. Security blankets. Comfort zones. All related to some fear. All unnecessary burdens that weigh us down, slow us down, make us cranky and ill-tempered travel companions.
That, now, would be unburdening of a revolutionary kind.
malindadocs@gmail.com
Other articles in this series:
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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