Looking back, I realise that my father was largely indulgent of my youthful arrogance (maybe one day my daughters might come to the same conclusion!). I have on occasion argued with him and expressed the view that he was showing signs on delayed adolescence. At least on one occasion I went further, insisting that he was suffering from delayed childhood. He was probably hurt as I was when one of my daughters once said ‘you are a glutton for suffering.’ But he was indulgent. He offered the following response softly, ‘children are innocent.’
They are.
This is a different innocent-story. It happened about 30 years ago in a place called Sinhapitiya, a couple of kilometres from the township of Gampola. It happened at the house of my closest campus friend, Nishad Handunpathirana. The house was about a kilometre from the Sinhapitiya Junction along the Ambuluwawa Road.
It was a quiet place. A lovely family. Kind and generous. I was treated like a son and a brother. The best of times in my university days were spent in that house and with that family, even in the worst of times.
It wasn’t a quiet day, though. It was nevertheless the day I learned the true meaning of innocence. It wasn’t quiet because there was a wedding; one of my friend’s many sisters was getting married. The ‘innocence’ arrived after all the formal ceremonies were done, except one — the 'mangala sabhava'.
The family, relations and friends of both parties had gathered outside the house. Most of them were all seated. A few of us, my friend and myself included, were standing in a corner. There was a Master of Ceremonies but I can’t remember who it was. After some introductory comments, he invited someone representing the groom’s family to address the gathering.
I was close to the family. Like a son and a brother, as I said. It immediately occurred to me that next up would be someone representing the bride. I asked my friend, ‘who?’ He didn’t know. The most senior ‘family member’ was the husband of one of the older sisters. I asked him. He laughed and flatly refused. He fled, in fact. I was overcome with a sense of foreboding. ‘We’ would be shamed, I feared.
It didn’t help that the speaker was going on and on extolling the virtues of the groom. All true, probably, but it seemed a bit too much to digest for thirty minutes or so, each passing minute increasing my agitation, not about someone among us having to match virtue for virtue in a speech but the same, initial, question: ‘who?’
The speech ended and the MC announced that it was the turn of the bride’s party. I looked at my friend. We looked around and then proceeded to meditate on the gravel at our feet. No one said anything. There was no ‘designated speaker.’ And then her father, as fathers invariably do in such situations where the honour of their daughters are at stake, rose to the occasion.
A retired railway shroff who was also a music teacher and in fact the inventor of a musical instrument, the Chaturadvani, a composite of four well-known instruments of the North Indian tradition (for which he was recognised with the state honour ‘Kala Bhushana’), this quiet and unassuming man got up, walked to the designated speech-making area and spoke.
‘අහිංසකà¶්වයේ à·ƒංකේà¶à¶º, අහිංසකà¶්වයේ ප්රà¶ිමූර්à¶ිය, à·„ාà·€ා කියන à·ƒà¶ා. ඒ à·„ාවටà¶් වඩා අහිංසකයි මගේ මේ දියණිය.’
[‘The symbol of innocence, the ideal of innocence, is the creature we call a rabbit,’ he said. And then, after a pause, continued, ‘more innocent than the rabbit is this daughter of mine.’]
Today, more than thirty years later, I can’t but help thinking that ‘Uncle’ could not have been more innocent than he was at that moment. Childlike. Honest. Absolutely. It was as much about his daughter as it was about him.
If I was in his position today, having to make a similar speech, I am convinced that all the words I know would abandon me forthwith. Rendered speechless, I would have to speak in tears. And that would be how I recover my innocence and obtain forgiveness for the unkind words I spoke to my father.
Other articles in this series:
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
1 comments:
I came across this article of yours accidentally when I was skimming through Daily News 2 or 3 days back. Haha. That arrogant part is just right. Sometimes you act as if you are treading earth a few inches above than others. :P Now don't get upset :D
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