'When the heart speaks, the mind finds it indecent to object.’ That’s a quote from Milan Kundera’s celebrated novel, ‘The Unbearable Lightness of Being.’ I came across it while reading about Kundera having just learned that the Czech-born writer had passed away at the age of 94 in Paris, France.
And I asked myself, ‘how often does the heart speak?’ And I asked myself also, ‘is the mind listening and even if so, does it always hear?’ Maybe, I told myself, the heart doesn’t speak loud enough to be heard. On the other hand, maybe the heart doesn’t speak soft enough because often it is the whisper and not the shout that is noticed.
Anyway, what is all this about decency? Where does it come from and who defines its contours? What are the conditions that warrant the labels, decent and indecent, civilised and uncivilised? Have they been decided upon after long and deep deliberation by people mandated to do so, and were they then placed before the people for ratification?
Obviously it is all arbitrary, governed by place and time, altered as circumstances make the established order of things untenable. Hearts and minds, moreover, are fickle entities; their ability to communicate, be communicated to and draw conclusions are eminently open to subversion. The strongest and most insightful mind is weakened and rendered impotent in an instant. The heart, resolute and warm, can break into a thousand pieces and grow stone cold in a fraction of a second.
Neither are they impervious to external bombardment. The missiles are sometimes directed at heart, sometimes at mind but as frequently it is the shards and shrapnel issuing consequent to explosion somewhere else that lacerate. Mindlessness and heartlessness are not necessarily mind-wrought and heart-wrought respectively.
Let us assume that the mind, mindful of decency, indeed refuses to object when the heart speaks. Is it when this happens that we call people mindless and insane? Working backwards, are we to assume that those who are thus labeled are in fact people who have heard the words their hearts spoke and therefore resolved not to object?’
The world is made of people, each and everyone endowed with a heart and a mind. So, I wonder if we can read the world in terms of the dynamic proposed by Kundera; an amalgamation of hearts that rarely speak and an amalgamation of minds that feels it would be indecent to object when the former deigns to say something.
Such things are hard to assess, of course. It’s easier at the personal level. The exercise of extrapolation is easy, but one ought to be wary when drawing conclusions. Everything about ‘humanity’ is not always the sum total of the particular shards in each and every human being.
At the personal level on the other hand we can think about (yes, that’s mind-work) about feelings and reasoning. We can think about a particular moment and ask ourselves, ‘did the heart speak and did the mind object?’
At some level this is just an academic exercise. Maybe psychologists would know better. I don’t. All I know is that I’ve come to realise that the ‘logic’ (if I may use that word for want of anything better) of the heart is more reliable than that of the mind.
Kundera, again in the same novel, dwells on aspirations, of wanting something better or higher. He says that such people must expect someday to suffer vertigo, which he offers is not the fear of falling but ‘the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.’
Well, it’s from the book, so we really can’t say that it was a Kundera Life Lesson. He once wrote (in ‘The Joke,’ the only Kundera book I’ve read, by the way, that optimism is the opium of the masses. That’s not something affirmed by Kundera’s life engagements. Some ideas depicted in his novels are considered part of the larger tradition of existentialism but he was more interested in reality as opposed to existence, he was fascinated by what people are capable of becoming. And this is perhaps why he had occasion to reflect on vertigo and offer the above explanation.
He’s gone now. He has been unburdened of the vexed questions of heart-mind dynamism, duality and, perhaps, unity. He cannot fall, ever. He cannot fail and can no longer be tormented by the tensions of desiring to fall and at the same time the compulsion to defend himself against falling, against the terror of that possible outcome.
Other articles in this series:
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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