Pic by Kasun De Silva |
A quote greeted me this morning from one of the walls of my sister’s house in Bala Cynwyd, a suburb of Pennsylvania. The walls of her house are decorated with quotes, paintings and photographs, each related to the lives and characters of the residents. This one was from ‘The Painted Drum,’ a novel by Karen Louise Erdrich.
I hadn’t head of this Native American author of novels, poetry and children’s books before. The novel, as per a blurb I found, is said to ‘explore the often fraught relationship between mothers and daughters, the strength of family, and the intricate rhythms of grief with all the grace, wit, and startling beauty that characterizes this acclaimed author's finest work.’
The quote:
‘Life will break you. Nobody can protect you from that, and being alone won't either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You have to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes too near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.’
Starts dark and ends in sunlight.
I am glad I am here in this house of words. I am glad I glanced at this wall and saw this quote. It spoke to me at the right time. The ‘right time’ is when one needs the words and the words appear. ‘Words’ as a metaphor of course for all things are eminently readable.
There’s more on ‘the right time.’ I read this a few minutes before reading a text from a mother about a daughter who has left home for studies. She know it would probably be a few years before she gets to see her little girl. The house seems empty. She is sad, naturally.
Louise Erdrich doesn’t know me, my wife or our daughter. She wrote about apples which of course don’t fall around us in heaps. But there are things, flowers for example, that turn parts of our garden into the softest carpets. There are skies that play the music of the rain. There are bird calls. There’s sunlight that write leaf-stories and wind that carry rhythms from lands we’ve never visited. And there’s a little girl who was an infant once and will remain an infant even though she’s grown into a young woman and is seen as one.
Her mother, perhaps more than anyone else so far, has experienced this little girl in the orchards of her growing up and therefore even when broken by solitude the poetry of memory and imagination that will console, will delight and give her peace.
Coincidentally, I was anticipating the words of Louise Erdrich a few days ago when I saw a photograph posted on Facebook by Kasun De Silva, indefatigable traveler and capturer of innumerable delights in our much celebrated and equally vilified island.
පාර දෙපැà¶්à¶ේ
චූටි චූටි ලස්සන කැලෑ මල්
There’s a little girl who is a
young woman. A mother who was once as young as she is. They have
embraced and therefore will always keep each other warm. They will heal
each other with words and silences. And flowers that will not be passed
without glance as they walk the slow roads to destinations yet unknown.
And there's a quote, which when read, will give peace to one and all.
Other articles in this series:
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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