05 August 2023

Arwa Turra, heart-stitcher

I can’t remember whether Prabath Sahabandu, currently the Editor of ‘The Island’ but then a first or second year undergraduate at the University of Peradeniya, said it somewhere near the Kandy Clock Tower or in one of the canteens of either Dumbara Campus or Peradeniya or in the ‘chummery’ of three rooms and six beds we shared with 10 others or at the Marcus Fernando Hall. I’ve had reason to remember and repeat the words: ලේවැල්ලේ කෙල්ලෙක්ට ආදරේ නම් ලේවැල්ලේ බස් එකටත් ආදරෙයි.

True, if you are in love with someone from Lewella then you would be in love with the Lewella bus as well. Or so it would seem. Suppose you are introduced to a group of people and you ask them where they are from, as we usually do. They might say, Pilimatalawa, Gelioya, Wathurakumbura, Asgiriya, Thalathuoya, Walala or any other place in and around Kandy or even outside the district. You would move on to the next person or the next question. But suppose someone said ‘Lewella,’ you would stop. That’s if you were in love with someone from Lewella.

‘Lewella? Really? Hmm’  

And then the chances are you’ll spend more time with that person than anyone else, even if he or she had no clue about the beloved.

If you see a bus with the destination board ‘Lewella,’ you’ll stop and watch it pass, even if the beloved never traveled by bus or was at the time most certainly at home or in the hostel, assuming that he or she was an undergraduate.

Association. By association. It’s a trick that the heart plays on the mind.


It is unlikely that Arwa Turra knows the Lewella bus story, but then again it’s an ageless tale and one which most people encounter at some point in their lives, even if they don’t jot it down somewhere or commit it to memory.

Arwa Turra made a note: ‘The evil tricks of my mind, even a person with your name excites me.’

Happens, unless it’s a pretty uncommon name. I don’t know ‘the person’ Arwa referred to. I don’t know if she included that note in ‘Heartstrings,’ a coffee table book containing her ‘poetry and hand-drawn art’ that was published a couple of years ago.

One thing leads to another. That’s how it goes. Things are connected. Heartstrings do that, one might say.  

It’s Arwa’s lines that made me remember Prabath’s observation. Arwa’s poetry does that. I’ve not seen her book. In fact I didn’t even know there was a book called ‘Heartstrings.’ I want to and hope to. I’ve only seen what she posts on social media.


What caught my attention was an observation on words: ‘Sometimes words are like needle and thread, stitch your broken heart AND sometimes just the sharp knife that rips it apart.’  

Words do both. Double-edged. Silence is as versatile of course, but let’s not dwell too long on the possible philosophical extrapolations. Let’s instead follow the strings of Awra’s heart.

‘Don’t make homes in humans for you will one day be evicted and the pain will be suffocating.’ Left me breathless, that one.

I was like the fresh book just out of the press
and you picked me up, smelled the cover and kissed the outside
and like those thousand others
you never actually opened my pages.



How many people open pages and how often, Arwa made me wonder. ‘You didn’t stay but I will wear you on my skin forever,’ she notes. That’s skin, but there’s more: ‘Tear apart my bones and find your home.’

Strings. Lines. They move from page to page, stitching together thoughts that are familiar but are unfamiliarly stated and connected.

‘Your face is tattooed on my eyes.’ That’s another breath-stopper.  That’s how it is when in love and everyone who has been in love would immediately understand. Like Prabath’s story of the Lewella bus. But not everyone can actually say it with such power, finesse and grace.  

Not just poetry, but prose as well; Arwa is not just words, she’s also art. I don’t pretend to understand but her drawings, at least those which I’ve come across in social media, speak to me. Two languages, one song. Gathered with strings, stitched intricately and yet seamlessly.

There are buses going to Thambuttegama, Horowpathana, Chavakachcheri, Bibile, Narangamuwa, Angunakolapelessa and other destinations. There are innumerable people in love with these buses.

And so we love Arwa Turra’s words, her lines and her colours, and we remember our loves, from long ago and yesterday, those we wear on our skin and those who are forever happily trapped in our bones and in whose bones we are in turn resident.   

malindadocs@gmail.com

['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is 187th article in the new series but it was not published perhaps because it was seen to be controversial. Links to previous articles in this new series are given below] 

Other articles in this series: 

Let's help Jagana Krishnakumar rebuild our ancestral home

True national anthems

Do you have a friend in Pennsylvania (or anywhere?)

A gateway to illumination in West Virginia

Through strange fissures into magical orchards

There's sea glass love few will see 

Re-residencing Lakdasa Wikkramasinha

Poisoning poets and shredding books of verse

The responsible will not be broken

Home worlds

Ownership and tenuriality of the Wissahickon

Did you notice the 'tiny, tiny wayside flowers'?

Gifts, gifting and their rubbishing

History is new(s)

Journalism inadvertently learned

Reflections on the young poetic heart

Wordaholic, trynasty and other portmanteaus

The 'Loku Aiya' of all 'Paththara Mallis'

Subverting the indecency of the mind

Character theft and the perennial question 'who am I?'

Innocence

A degree in people

Faces dripping with time

Saji Coomaraswamy and rewards that matter

Revolutionary unburdening

Seeing, unseeing and seeing again

Alex Carey and the (small) matter of legacy

The Edelweiss of Mirissa 

The insomnial dreams of Kapila Kumara Kalinga 

The clothes we wear and the clothes that wear us (down) 

Every mountain, every rock, is sacred 

Manufacturing passivity and obedience 

Precept and practice 

Sanjeew Lonliyes: rawness unplugged, unlimited 

In praise of courage, determination and insanity 

The relative values of life and death 

Feet that walk 

Sarinda's eyes 

Poetry and poets will not be buried 

Sunny Dayananda 

Reunion Peradeniya (1980-1990) 

What makes Oxygen breathable?  

Sorrowing and delighting the world 

The greatest fallacy  

Encounters with Liyanage Amarakeerthi 

Beyond praise and blame 

Letters that cut and heal the heart 

Vanished and vanishing trails 

Blue-blueness 

A forgotten dawn song from Embilipitiya 

The soft rain of neighbourliness  

The Gold Medals of being 

Jaya Sri Ratna Sri 

All those we've loved before 

Reflections on waves and markings 

A chorus of National Anthems 

Saying what and how 

'Say when' 

Respond to insults in line with the Akkosa Sutra 

The loves of our lives 

The right time, the right person 

The silent equivalent of a thousand words 

Crazy cousins are besties for life 

Unities, free and endearing 

Free verse and the return key

"Sorry, Earth!" 

The lost lyrics of Premakeerthi de Alwis 

The revolution is the song 

Consolation prizes in competitions no one ever wins 

The day I won a Pulitzer 

Ko? 

Ella Deloria's silences 

Blackness, whiteness and black-whiteness 

Inscriptions: stubborn and erasable  

Thursday! 

Deveni: a priceless one-word koan 

Enlightening geometries 

Let's meet at 'The Commons' 

It all begins with a dot 

Recovering run-on lines and lost punctuation 

'Wetness' is not the preserve of the Dry Zone 

On sweeping close to one's feet 

Kumkum Fernando installs Sri Lanka in Coachella, California

To be an island like the Roberts... 

Debts that can never be repaid in full

An island which no flood can overwhelm 

Who really wrote 'Mother'? 

A melody faint and yet not beyond hearing 

Heart dances that cannot be choreographed 

Remembering to forget and forgetting to remember 

On loving, always 

Authors are assassinated, readers are immortal 

When you turn 80... 

It is good to be conscious of nudities  

Saturday slides in after Monday and Sunday somersaults into Friday  

There's a one in a million and a one in ten 

Gunadasa Kapuge is calling 

Kumkum Fernando installs Sri Lanka in Coachella, California 

Hemantha Gunawardena's signature 

Pathways missed 

Architectures of the demolished 

The exotic lunacy of parting gifts 

Who the heck do you think I am? 

Those fascinating 'Chitra Katha' 

The Mangala Sabhava 

So how are things in Sri Lanka? 

The most beautiful father 

Palmam qui meruit ferat 

The sweetest three-letter poem 

Buddhangala Kamatahan 

An Irish and Sri Lankan Hello 

Teams, team-thinking, team-spirit and leadership 

The songs we could sing in lifeboats when we are shipwrecked 

Pure-Rathna, a class act 

Jekhan Aruliah set a ball rolling in Jaffna 

Awaiting arrivals unlike any other 

Teachers and students sometimes reverse roles 

Matters of honor and dignity 

Yet another Mother's Day 

A cockroach named 'Don't' 

Colombo, Colombo, Colombo and so forth 

The slowest road to Kumarigama, Ampara 

Sweeping the clutter away 

Some play music, others listen 

Completing unfinished texts 

Mind and hearts, loquacious and taciturn 

I am at Jaga Food, where are you? 

On separating the missing from the disappeared 

Moments without tenses 

And intangible republics will save the day (as they always have) 

The world is made of waves 

'Sentinelity' 

The circuitous logic of Tony Muller 

Rohana Kalyanaratne, an unforgettable 'Loku Aiya' 

Mowgli, the Greatest Archaeologist 

Figures and disfigurement, rocks and roses 

Sujith Rathnayake and incarcerations imposed and embraced 

Some stories are written on the covers themselves 

A poetic enclave in the Republic of Literature 

Landcapes of gone-time and going-time  

The best insurance against the loud and repeated lie 

So what if the best flutes will not go to the best flautists? 

There's dust and words awaiting us at crossroads and crosswords 

The books of disquiet 

A song of terraced paddy fields 

Of ants, bridges and possibilities 

From A through Aardvark to Zyzzyva  

World's End 

Words, their potency, appropriation and abuse 

Street corner stories 

Who did not listen, who's not listening still? 

The book of layering 

If you remember Kobe, visit GOAT Mountain 

The world is made for re-colouring 

The gift and yoke of bastardy 

The 'English Smile' 

No 27, Dickman's Road, Colombo 5 

Visual cartographers and cartography 

Ithaca from a long ago and right now 

Lessons written in invisible ink 

The amazing quality of 'equal-kindness' 

A tea-maker story seldom told 

On academic activism 

The interchangeability of light and darkness 

Back to TRADITIONAL rice 

Sisterhood: moments, just moments 

Chess is my life and perhaps your too

Reflections on ownership and belonging 

The integrity of Nadeesha Rajapaksha 

Signatures in the seasons of love

To Maceo Martinet as he flies over rainbows 

Sirith, like pirith, persist 

Fragrances that will not be bottled  

Colours and textures of living heritage 

Countries of the past, present and future 

A degree in creative excuses

Books launched and not-yet-launched 

The sunrise as viewed from sacred mountains 

The ways of the lotus 

Isaiah 58: 12-16 and the true meaning of grace 

The age of Frederick Algernon Trotteville 

Live and tell the tale as you will 

Between struggle and cooperation 

Of love and other intangibles 

Neruda, Sekara and literary dimensions 

The universe of smallness 

Paul Christopher's heart of many chambers 

Calmness gracefully cascades in the Dumbara Hills 

Serendipitous amber rules the world 

Continents of the heart
  
The allegory of the slow road  


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