['The
Morning Inspection' is the title of a column I wrote for the Daily News
from 2009 to 2011, one article a day, Monday through Saturday. This is the 206th article in the
new series that began in December 2022. Links to previous articles are given
below]
When I
was around 10 years old my father told two stories related to ageing.
One was about Dorian Gray, the highly acclaimed novel by Oscar Wilde. He
offered a to-a-ten-year-old version.
‘Dorian Gray was a
beautiful young man. Someone paints his portrait. Dorian sells his soul
so that while the portrait aged, he would not. Years later he sees the
now hideous looking portrait. Enraged, he slashes the portrait with a
knife. His body is later discovered with a knife thrust into his chest.
The portrait is also found. It’s a picture of Dorian Gray, young and
beautiful.’
I can’t remember the name of the principal character
in the other story. All I remember is that someone, a beautiful woman I
think, was asked to make one wish. ‘I want to live forever,’ was the
wish. It was granted. And so she lived and lived and lived. She aged and
aged and aged. She grew decrepit. She shrivelled up and became small
enough to live in a bottle. The wish-granter had visited her again and
asked her what she wants now. ‘I want to die,’ she had said.
Both
stories must have got etched in the subconscious a few years ago while
discussing infirmities associated with old age. I observed that
Buddhists generally wish ‘niduk nirogi suva!’ That would be free of
sorrow, good health and a sense of peace and not ‘long life.’ We do wish
‘chira jeevanaya’ and say ‘ayubowan (may you live long)’ but niduk, nirogi and suva are not age-bound.
These
stories and thoughts came to mind when I read the observations on
ageing expressed by one of my favourite actresses, Merryl Streep,
‘Let
no one deprive and deny me of the wrinkles on my forehead attained by
the delight of living a beautiful life, don’t rob me of my lips which
remind me about how much I laughed and how much I kissed. Look at the
bags under my eyes, they reflect upon how much I cried. All of these
memories belong to me and they are all very beautiful. You can’t believe
a changing face is so beautiful. It’s the history of one’s life, which
reflects what one did, his or her experiences, and achievements. It
reflects the love one has received, given, shared, and also the pain one
has gone through. I am happy, excited, glad, and proud to grow old with
such grace.’
It’s about treasuring the signs of our passing through the years that are inscribed on our bodies. The duka-saepa (sorrow-joy), laabha-alaabha (profit-loss), yasa-ayasa (fame-obscurity), nindaa-prashansa (insults-praise)
or the ata lo dahama (the eight worldly conditions) leave traces. They
constitute a biography of sorts. They give us the privilege of looking
back. For meditation on the thilakshana or the three marks of existence (‘sabbe sankhara anicca, sabbe sankhara dukkha, sabbe dhamma anatta’
or ‘impermanence, suffering and not-self) they suffice. A mirror is all
you need. In fact you don’t need even that, for these traces are
evident even on your hands and can be obtained even if you close your
eyes.
And all the life lived, all the lives refused to be
lived, all the loves experienced, all the loves lost by ‘loving’ (as per
norms) and all the lives similarly lost by living will manifest before
us, to be touched by fingertips, gaze and mind, without rancour, without
regret but just the peace of knowing, ‘this was who I am, this is how I
became who I am.'
malindadocs@gmail.com
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
No comments:
Post a Comment