It was in early 1986 that I first encountered Ivan Shadr's bronze sculpture of 1927 titled 'The Cobblestone is a Weapon of the Proletariat.' It was on the front page of a newspaper whose name I cannot remember now.
Some unknown Trotskyite, either a student or a lecturer at the Dumbara Campus of the University of Peradeniya, must have subscribed to a periodical published by one of the many shards of the Fourth International. This was probably in early 1985. I can’t remember the name of the paper, but I remember picking it up a few days after it was placed in the letter board along with what were probably less political missives from loved ones to students.
There must have been a name on it, but not one that belonged to any student or lecturer as far as I could tell. No one ever claimed those newspapers so they were mine for all intents and purposes. I read them and was duly informed about what was happening in the world. Battles. Ideological debates. Informed and well argued articles about capitalism, imperialism and class struggle. Things conspicuously absent in mainstream newspapers. It was an integral part of my undergraduate education.
I found the sculpture and the caption intriguing. I remember cutting it out and pinning it to one of the notice boards where such things were put up.
To me, at that age, it was all about ‘by any means necessary,’ although I didn’t think of those words which had been uttered by Malcolm X a couple of decades before. I knew enough to know about power differentials, especially with regard to the complement of weapons at the disposal of warring parties, especially when people take on the state or rather those who operate from the commanding heights of that preeminent coercive apparatus.
Yes, we know that Shadr (Ivan Dmitriyevich Ivanov) became a full time propagandist and that revolutionary idealism was buried after Lenin died, in the name of the proletariat no less. That’s an aside though.
I’ve returned to cobblestones many times since then. I came to see them differently, This is why, almost twenty years later, I asked the following question: ‘Did you know that pavement stones are agitating to be turned into poetry that can be flung at the oppressor?’
And this afternoon, I found that some cobblestones had indeed been transformed into a poetic avatar. Around 50 people were standing at a street corner, protesting the attacks on Gaza. There was an old lady who said she came out whenever she could. She was holding a placard with the following legend attributed to Raji Sourani, a human rights lawyer in Gaza: ‘Like the olive trees we are here.’ Next to her was a young man. A poet, he said. His was a quote too, from the Palestinian poet Mahmoud Darwish: ‘Every beautiful poem is an act of resistance.’
Coincidentally, a ‘memory’ popped up on Facebook. A poem. I had titled it, 'A petition to stones.'
So let there be stones
beautiful ones
cut by hand or time
with edges that can wait
for moonquake and anarchy
those necessary preconditions
for bloomage and bleeding
mirrors that fracture desolate skies
and trigger
the eruption of rainbows,
stones gathered
from every stoning
that turned broken bodies
into words
to re-cleanse
our desecrated hearts.
A poem. A cobblestone, if you will. One day, perhaps, someone will polish its rough edges and make it beautiful. Then, it would be an act of resistance.
One thing was certain, to me at least. It was poetry and cobblestones that I saw in that street. I couldn’t help thinking that there was beautiful poetry being written, recited and listened to all over the world, at that very moment and is being written as I write now. Word-rain is falling like arrows on a thick blanket of lies. They reach a scarred earth that has not been abandoned by love’s primordial nutrients. The elements will resist all efforts to subvert life.
One thing is certain, to me at least. Those who drop bombs are not stone masons. When schools, hospitals and homes are bombed, the broken pieces of concrete don’t come out in neat and uniform sizes with edges perfectly polished so that interlocking is possible.
One thing is certain, to me at least. Each broken piece of concrete, each broken heart, every tear, every cry of anguish interrupted by fresh fears and sorrows, is a word. There are innumerable grains of dust, love, despair, indignation and hope waiting for poets and poetry.
One thing is certain, to me at least. Ivan Shadr sculpted a poet and it is a word that he is arming himself with.
People are writing beautiful poetry. And they are just not going to stop.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 252nd article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
0 comments:
Post a Comment