Gauze. The word came to me a few hours ago. It stayed with me. It remained with me as I was reading an essay titled ‘My Personal Hemingway’ written by Gabriel Garcia Marquez.
Marquez describes the first and only time he had seen Ernest Hemingway. In the Spring of 1957, while walking along Boulevard Saint-Michel in Paris, Marquez had seen Hemingway walking in the opposite direction. He yelled, ‘Maeeeestro!’ Hemingway, so Marquez describes, ‘[realizing] there could be no other maestro among the crowd of students, turned with his hand raised, and shouted back in a slightly childish voice, ‘adióóóós, amigo.’
I was still thinking of bandages when I read his thoughts on how novelists read other novels: ‘In some impossible-to-explain way we take the book apart into essential pieces and put it back together again once we know the mysteries of its personal clockwork.’ They have to, he says, ‘decipher the stitching.’
I am not a novelist and don’t read novels in that way, but it occurred to me that what Marquez said could be applied to words as well. Like gauze for example.
Gauze. That was the one-word title that first came to mind. Gauze? I thought about it. Who would want to read about bandage-material, I asked myself. Yes, ‘bandages’ is what I associated gauze with. It’s more than that.
People who know about clothes and fashion would know better. ‘Gauze’ would make them think ‘fabric.’ News to me of course, but then I know very little about fabrics, outfits and fashion.
If someone asked me to describe gauze I might have said ‘well, essentially a bandage made of a thin, sheer fabric.’ I wouldn’t have said ‘used to make loose, unstructured dresses and blouses, curtains and baby carriers.’ I wouldn’t have added, ‘its open, airy weave makes it a perfect fabric to wear during hot summer months.’
It is all that. And there’s more.
Today I learned that it is typically made from ‘cotton, wool, silk or synthetic fibres with a loose, open weave.’ Apparently absorbent gauze is made of 100% natural cotton yarns. This is how it has been manufactured for centuries.
Centuries? Some say ‘since the mid-16th century’ but Vanessa J Jones, in an article titled ‘The use of gauze: will it ever change?’ published in the International Wound Journal (yes, I didn’t know about that either!) in July 2006, states ‘woven gauze is the oldest dressing still in use and dates as far back as the Ancient Egyptians who used it to wrap bodies prior to burial.’
And to think that all these years I was thinking ‘bandages.’ And nothing more.
As I took apart gauze, first unwrapping and then unweaving, I realised that unlike in the case of dismantling and reassembling the essential pieces of a novel once its intrinsic mechanisms are understood, I cannot put it back together again. Gauze, I mean.
It’s far too delicate (not that novels are necessarily indelicate of course). Words are easier, naturally, but what they mean is something else. It’s not simple.
Not simple because of history, because of long history, because of the wide range of uses, because that which works for a wound also works to clothe the dead and the living, and because sometimes it goes underground, sometimes it is flaunted and sometimes it is is something few want to see and many want to pretend it simply does not exist.
Ok, that might sound convoluted, but two things will help unravel. First, etymology and second, poetry (says so much with so little).
There is a theory that the word comes from the word ‘Gazz’ (Arabic and Persian), which means ‘raw silk,' because that was what early weavers used to first produce gauze. Stronger is the opinion that the word is derived from Gaza, the region that first gained prominence for weaving the fabric.
Now read with me the following poem by Em Berry [@skinhungry] titled ‘Because of us.’ It is a short poem about a long history, a lengthy bandage and stitches which are hard to decipher only if we don’t note that they have been painted over so that art, artistry, tapestry and history can be denied.
This morning I learned
the English word gauze
(finely woven medical cloth)
comes from the Arabic word غَزّة. or Ghazza
Because Gaza’s have been skilled weavers for centuries
I wondered then
how many of our wounds
have been dressed
because of them
and how many of theirs
have been left open
because of us.
So now, let us check out wounds, inflicted and suffered. Let us think of bandages, crypts, shrouds and the tyranny, obfuscation and scandal of perfect fabrics to mitigate unfavourable climatic conditions. Let us think of a greeting floating over rubble and through dense smoke. Let us figure out what to say, think and do if there floats back in a child’s voice the response, ‘adióóóós, amigo.’
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 269th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Seasons bookeneded by leaves on park benches
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
Gauze is a bit like confetti – it adds flair to any injury party. - Mayya - http://www.maiyyagelokaya.blogspot.com/
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