Sometimes people ask me what I do. And when such questions are asked, I say, with pride and a wide grin, ‘I am an unemployed graduate.’ I add, ‘for the eighth time.’
It is not true though. I am unemployed only in terms of what employment is usually taken to mean: a steady job with a regular income. Sometimes I do say, ‘I am unemployed and perhaps unemployable.’ I am never sure if that should be said with pride or shame. Probably pride.
‘But you write.’
Yes, I do. Freelance. Journalists know what this means in terms of ‘steadiness’ and ‘regularity’ as per the above definition. I will not elaborate except to refer to an article I wrote twelve years ago. It was published in the Daily News of the first ‘The Morning Inspection’ series which ran from September 2009 to October 2011.
The title was, ‘On the “free” and “lance” of freelance.’ I remember wishing that I had called it ‘On being lanced by the free.’ I referred, in that essay, to an admonishment from my younger daughter, then just eight years old. She had figured it all out.
‘You don’t need a lot of time for your work; you need time for other people’s work,’ she said, and elaborated, ‘I have heard you speaking on the phone. You are always telling people “hari, hari, machang, karala dennam (ok, ok, I’ll do it)”.’
Like an ethereal scavenger sweeping
over the litter that collects in tiny piles
on the architecture of the political
those made-up faces and faces that are beyond repair;
I see the epic narratives missed by literatures
in a scar, in the plain tea quick-fix
the marshmallows and poisons
the varnishing that makes palatable
ineffective and yet bitter medicines
prescribed by these quack doctored times;
I stand at a window without a frame
by a petti kade too humble for name
but which is sentinel to monotony unnoticed
same faces at the same time
same voices asking for the same things
same greetings, same smiles and same conversations
layered over the unspeakable
in the courtesies that say nothing
but are warm nevertheless and true as well
kohomada? vahiy da? Ennam....
'We are one,' I tell myself
'We are solitary people,' I also add,
take a breath and think of you.
Life is good.
I was not writing a daily column, i.e. from Monday through Saturday, at the time I wrote this. So, I can’t even say that I just kept eyes and ears open for ‘material.’ That’s simply because there’s so much around that one doesn’t really have to look. The delightful thing about it is that the obvious depravations are more than adequately compensated for by freedom from the tyranny of clocks and work-briefs.
I’ve realised that time passes slowly. I’ve also realised then when liberated in this manner, things move slowly too. Put another way, there’s ample time to stop, say hello and chit-chat about everything or nothing with people known, familiar or absolutely unknown. All it takes is for the eye to meet an eye. People smile. All it takes is a chance comment or question to which you don’t have to react but will not be faulted for doing so.
And then, there are times when there’s not much said or indeed nothing is said. There’s still so much that happens. You can pick and choose where to rest your gaze. You can choose to dream and daydream.
You can worry too because underemployment, which is what freelance journalism is, sends expendable income racing to zero. There’s a trick that cures this malady too: simply separate things into that which one has some control over and that which is beyond control. The latter is a universe, the former a few grains of sand. Retire the latter and that’s how one manufactures expendable time. It’s value that is not tangible, value that does not make for exchange. Value that is invisible and therefore assumed to be non-existent and deserving of sympathy. Or disgust.
But we know, us freelancers do. We know how to make do. And we know that those who lance us for this ‘freedom’ don’t know that we know all about the abuse of 'free' and the poisons in which the tip of the 'lance' has been dipped.
What do I do, do you really want to know? Nothing machang, and don’t you wish you could say that too?
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 257th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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