A
single kite way above the tree-line seemingly adrift against
rain-threatening clouds is a sight to behold. If there is lightning and
thunder promising a torrential downpour it is even more spectacular.
You
could watch from a distance, perhaps from a window or some other place
where you know perfectly well that you are safe, that lighting will not
strike you and will not get wet regardless of the precision of the best
plans hatched by rain and wind.
A kite can be buffeted by wind.
Indeed, the wind can wrench it from the hand that holds the string,
however strong it may be. Rain can drench it. Gravity will do the rest.
The spectacle is overpowering nevertheless. A kite being brought down
thus leaves a mark harder to remove than a tree being felled. Sometimes.
A kite in a storm tells more about elemental power than a storm that
goes about its business without having to deal with trivialities made of
paper, string and some firm material used to make the frame.
There
are no threatening skies above the lands I inhabit these days. Dismal
skies, yes, on certain days. Some rain. Snow too, just flurries.
Temperatures aren’t threatening either. The evening skies are pretty as
they yield gold, crimson, pink and other shades, especially when seen
through the branches of trees bereft of leaves and forming a lace-like
filter. I haven’t seen any kites.
I know the ways of kites and
skies. I know something of elemental conspiracy. I know about gravity
too. And yet, never have I been accorded the privilege of seeing the
spectacle of kites in bloodshot skies, challenged by forces other than
wind, lightening and rain, ordered to surrender and yet dancing with
abandon as though convinced that skies will clear, the wind will abate,
lightning will cease and forces that consider such innocuous impediments
as an affront retire to contemplate sins to the end of time.
There
are kites made of gauze, that flimsy material made of cotton, wool,
sink or synthetic fibres with a loose, open weave. That material which
we know is used to dress wounds and is probably the oldest dressing
known to us, dating back to the ancient Egyptians who used it to wrap
bodies prior to burial. Yes, that kind of gauze. Kites made of that kind
of gauze.
As of December 9, 2023, a total of 17,487 have
ascended to the skies over a particularly tragic territory. That’s since
October 8, 2023. So, in 62 days , on average, 287 kites have entered
these skies every day.
The sky does not care for the lines that
human beings believe can be drawn on the earth. They may, as
collectives, agree and claim the sky above such lands demarcated on
paper to belong to one race or another, but kites heed not such
ridiculous trivialities. They soar. They do not carry travel documents,
they will not be stopped by immigration-emigration functionaries of any
persuasion or identity.
And so, these 17,487 kites, all made of
gauze, weave and wave, rise, swoop down and rise again, in strange
solidarities that will not harm even one but instead move like an
exquisitely choreographed dance ensemble. And each day, on average,
they are joined by 287 new kites. All made of gauze.
[read what gauze means to millions under siege: gauze blood-stained and torn]
This sky is
unlike any sky I have ever seen. It is probably unlike the skies seen
by the vast majority of people on this planet. This sky is malevolent.
It is barbaric. It’s blues and whites are like flags chosen by the
captains of genocide. Its reds are like gauze that cannot stop
blood-letting of the coldest and cruelest kind. Its gold is the gleam of
profits gathered by the only true and faithful lovers of war, the
weapons industry.
Terrible birds of prey roam in these skies.
They spread wings and open fire and drop bombs. They are kite makers and
are quite industrious, for it is not an easy task to make 287 kites per
day on average. Gauze, after all, is not an easy material to work with,
at least not when you use it to make kites. These vultures are not
satisfied by kite-making. They are strange inventors for they are as
determined to destroy the kites they themselves made and made airborne.
The
gauze kites are not bested by wind, though. Lightning somehow bypasses
them. Rain falls around them but not one drop soaks the flimsy material.
Bullets and bombs cannot touch them for they seem to have acquired the
strange attribute of untouchability.
It must be in the material.
Gauze. That’s a name derived from the region where the earliest weavers
of the fabric called home, Gazz. The gauze kites are actually stories.
Memories, hopes, histories, fears and joys, determination that
consistency wages war against helplessness and prevails again and again —
these are written upon the flimsy and yet amazingly resilient fabric of
these kites. It’s the spirit of those who will not let themselves,
their histories, their loves and their obstinacy be buried.
Gauze
kites, tens of thousands of them, have occupied the skies. They deflect
sunlight into fields that carry seeds named ‘Tomorrow,’ they look
tyrant and tyranny in the eye resolutely and they laugh and laugh and
laugh.They sing and sing and sing. They dance and dance and dance.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 291st article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Semitism: unclothed, unadulterated and unvarnished
The residences of Refaat Al Areer
Pity the all-knowing and naive as they stutter grandiose alibis!
Love-residue on park benches that have disappeared
Reflections on things left unfinished
The virtues of an empty canvas
Autumn days and nights thirteen centuries apart
Texts are ancient, transcription error-ridden
The word as a sword held to the throat of truth
Residents of and residency in heart and mind
Merit, integrity and seniority in the superior courts
Hunters and 'victims' of immemorial light
The unbearable lightness of pause
Seasons bookeneded by leaves on park benches
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
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