A few months ago I wrote about Colleen Kinder’s Letters to a Stranger: essays to the ones who haunt us. This is how I described the book: ‘Letter to a stranger is a book of fissures where contributors peered into these strangers and through them enter regions of their own selves long neglected.’ I added, borrowing from the foreword written by Leslie Jamison, ‘I never had you, I never knew you; I am to see to it that I do not lose you.’
We often come across individuals, strangers who never share their stories with us, who we simply cannot forget. They travel with us even though they could very well be oblivious to our existence. They too may be haunted by strangers who don’t get discarded when memory fails or priorities and perhaps wisdom perceived prompt the occasional emptying of the mind. Indeed there may be specific strangers who hold on to one another in this way.
There is another category of strangers, a community in fact; those who breathe the divine fragrance of unrequited love. They are said to be suffering from a virulent form of masochism, but sometimes I wonder if this is in fact true.
Where do they go when the one place they want to be has been barred? Where do they take the words they are not allowed to speak? What do they do in the long years of silence? What strategies do they plot to keep alive their life-giving insanity, these people who have abandoned reason altogether and have chosen to worship disbelief?
The easy response to all these questions is itself a question, ‘who knows?’ I have no answer either, but I have thoughts about such things.
I have known people who do not stop writing although they are fully aware that some love letters are simply undeliverable because no postal service will accept them and moreover addresses and intended recipients have long moved to inaccessible addresses. I know of lyrics written and sung in secret with the hope that the winds may carry them through gates and over walls, real, metaphorical or imagined.
I like to imagine that such people who walk like ghosts past and through one another in the Republic of Anonymity are a resourceful lot. They write even though no one asked them to put pen to paper, even though what they write goes unread and even though their words are so many that they fall out of paper, unscramble themselves from sentences and in happy abandonment create their own communities of poetry. In fact, I’m convinced that when love is written, the letters catch fire, warms all hearts and that in this way unknown and unheralded poets unfreeze the long, solitary winter years of the planet.
Their stories sometimes get told by others who have heard or read them and had suffered or were spared the same agonies. Simply because in recounting they draw love out of mirrors and illuminate the passwords to unimaginable grace.
In a world where people are taught to compare marginal benefits against marginal costs, where purpose is required to be defined and life ordered in terms of increasing the possibility of obtaining objective, such people are called fools and clowns; they are described as insane.
I hesitate to concur.
I am thinking of a human so consumed by love that the body has decayed to skin and bone through sheer neglect. I am imagining that such a creature, spurred by love, swings across an abyss holding on to a frayed rope singing verses written in the invincible ink of silence on account of being forbidden to speak; only, it’s a rope that never was.
I cannot think of anything more beautiful at this moment. Such grace defies description.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 299th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Of masks, skins and the best poetry in the world
Calling Kapila Bandaranayake, wherever he may be!
The IDF and Rules of Engagement
Anthony Courseault's tryst with grapes
Sarath Karunaratne can't stop teaching
In the delirium of my insomnia
Herculaneum of the 21st Century
Gauze-kites in intemperate skies
Semitism: unclothed, unadulterated and unvarnished
The residences of Refaat Al Areer
Pity the all-knowing and naive as they stutter grandiose alibis!
Love-residue on park benches that have disappeared
Reflections on things left unfinished
The virtues of an empty canvas
Autumn days and nights thirteen centuries apart
Texts are ancient, transcription error-ridden
The word as a sword held to the throat of truth
Residents of and residency in heart and mind
Merit, integrity and seniority in the superior courts
Hunters and 'victims' of immemorial light
The unbearable lightness of pause
Seasons bookeneded by leaves on park benches
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
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