I last heard from my friend and brother Ahmed Issa on Tuesday the 24th of October, 2023. I sent him a link to an article I had written titled ‘Let us write beautiful poetry.’ He replied with a heart emoji.
The following day, my sister sent me the following text: ‘Ahmed’s cousin is dead. She was 21. He had to dig her with his hands out of the rubble.’
My friend and brother Ahmed Issa wrote a poem titled ‘Only if you make it to the next day.’ I don’t know when he wrote it. He had sent it to my sister who forwarded it to me. This was on the 26th.
I texted my friend and brother Ahmed Issa yesterday (the 27th). I wrote, ‘it's a beautiful and powerful poem my brother.’ More than 36 hours have passed since then. He hasn’t seen my message. I fear for my friend and brother Ahmed Issa, for his young wife and their two small children, his friends, the members of his family, his friends, teachers and neighbours who were alive when he sent me his heart and who may not be so as I write now.
My friend and brother Ahmed Issa studied in England but returned home to Gaza after completing his degrees. He visited the USA a few weeks ago. He is in his early thirties. He’s old enough to be aware of the universe of the probable and its discernible dimensions which are themselves horrific enough. He’s old enough to know that there are limits imposed and limits embraced. Of the latter, he has none. He returned to Gaza.
My friend and brother Ahmed wanders over rubble, climbs above fighter planes dropping bombs and floats over territories where lies are celebrated as biblical truths. He understands the silence of those who fear. He smiles at those who could speak but stop themselves because a price has to be paid for integrity.
ONLY IF YOU MAKE IT TO THE NEXT DAY
A Gazan's daily routine after Oct 7th
(distant from, but not unrelated to, a Gazan’s life for 16 years prior)
Wake up at 10 p.m. Since there is no sleep permitted
The worst bombings are at night
Look for a source of energy
to charge his phone batteries and
to turn on the internet router.
Only if we make it to the next day.
Direct other members of the family
to seek and secure the beta bread
It is now the scariest resource
for there is insufficient bread flour
Only if we make it to the next day.
Direct other members of the family
to seek to secure clean and drinkable water
Only if we make it to the other day.
On the worst days, go to dig and find
other family members who were bombed
during the last night & put them in their coffins
Cry, a little, say goodbye swiftly then go
back to look for your basic needs.
Only if you make it to the next day.
Sit with family members
get to know them better
Meet new people and listen
to their stories on how they survived
Circle with your fellow survivors
to vent to speak. But there is no time to die to cry!
Go to sleep with your phone, scrolling agonies
until you start hearing the night attacks.
If you understand the bombing formula
you will not be scared anymore. It goes like this:
1. If you hear the sound of warplanes hovering loudly = you are safe it has passed you.
2. If you hear the sound of bombings so loud = you are safe because you are not in the center of the explosion.
There is nothing to worry about from now on.
For the Gazan, life still must go on
He lives it fearlessly and with audacity
Dear fellow Gazan, wherever you are in the world
Have I forgotten anything? Please correct me
if I have made it to another day.
My friend and brother Ahmed Issa signs off with an emoji. A red heart. And says ‘from Gaza with love,’ followed by a small icon of the Palestine flag.
I don’t hear the sound of warplanes hovering loudly. They haven’t arrived, so they cannot pass. I am safe. I don’t hear the sound of bombings. I am nowhere close to an explosion. Not yet. I am safe. I hear things and find myself in places I know the names of. I am not in a hospital. I am not in the afterlife. I am safe. I am safe but not in the ways that my friend and brother Ahmed Issa is safe right now regardless of the dimensions, colours and textures of that safety.
For the Gazan life must go one. For me too. My friend and brother Ahmed Issa, like his fellow Gazans, lives fearlessly and audaciously. And I, audaciously, hope. That's what my friend and brother Ahmed Issa has pieced together from life shredded in Gaza. That's what he has sent us with love. From Gaza.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 255th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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