['The
Morning Inspection' is the title of a column I wrote for the Daily News
from 2009 to 2011, one article a day, Monday through Saturday. This is the 243rd article in the new series that began in December 2022. Links to previous articles are given below]
John
Hennessy is said to have the rare gift of being able to pick a line of
poetry that constitutes the most appropriate response to an interesting
point in any conversation. A poet, editor and teacher, John would of
course have a treasury to draw from, but he does so sparingly, as is
best.
It’s a line from ‘Those Winter Sundays’ by Robert Hayden (1913-1980), the first Black American to be appointed as consultant in poetry to the Library of Congress, a title which would later be changed to Poet Laureate. It is a poem about how Sunday began for his father, how he didn’t know what his father did to make things comfortable and therefore never felt the need to express gratitude.
The labours of fathers and mothers are not often announced. They are not always seen. They are not always acknowledged. Whether or not appreciated, in ‘the blue-black’ discomfiture they spare their children, they get the little things done with those ‘cracked hands,’ hearts and minds that constitute the inevitable yield of everyday-labour that cannot be avoided or postponed. They work overtime in the work spaces of love, often alone but always empowered by boundless love.
Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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