['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 244th article in the new series that began in December 2022. Links to previous articles are given below]
I have seen just three of Bernard Bertolucci’s films, The Little Buddha, The Last Emperor and Besieged.
The first traces the life story of Siddartha, first prince then ascetic
and finally achiever of enlightenment, through three children, each
with claims to be the reincarnation of a Tibetan Lama. Bertolucci’s
directional finesse offers some scattered philosophical strands; it is a
compelling if slow film. The Last Emperor is about Puyi, the
last emperor of China and follows his ascent to the throne as a small
boy and then to his imprisonment and political ‘rehabilitation’ by the
Chinese Communist Party. Besieged is the story of a woman who
fled her native village in Africa and works as a housemaid in Rome for a
single English pianist and composer.
All three stories speak of
incarceration. Siddhartha is first a prisoner of his Royal birth who
later realises the deeper, broader and more foreboding imprisonment of
the human condition. Puyi is a prisoner of a sweeping historical
process. In the third film the principal character, Sandhurai, is
besieged by the condition of exile, forced separation from her husband
and the growing feelings for her master.
In a sense, we are all
incarcerated in prisons of our making and those we discover, sooner or
later, to have existed all along or have been built surreptitiously
during moments of complacency. What of these, though?
I am
thinking of more immediate and horrific forms of besieging. The
conditions that warrant the use of the word ‘hostage,’ the particularly
horrifying and pernicious besiegement of the here and now.
There
is the Hamas attack that resulted in the deaths of 1,300 people
followed by 100-150 people being taken hostage. That’s got a lot of play
and not only on account of the shocking and unexpected way in which the
attack was executed. Then came what is called ‘retaliation.’ And so I
amended a line from a poem by Faiz Ahmed Faiz (Let me think): ’from
which window flew the first arrow, dipped in blood?’
Ah, the first arrow, dripped in blood no less, implies antecedents. How far back in history do you want to go, though?
Should
we believe that history began on October 7, 2023, and that the relevant
arrowheads were bloodless? A wanton act of terrorism then that
requires firm and uncompromising response on perpetrators, those they
claim to represent and those among whom they’ve taken refuge even to the
extent of firing white phosphorus, dropping bombs, bulldozing schools,
hospitals and homes, and treating each and every Palestinian as a
legitimate target?
Whether arrows needed to be shot
notwithstanding, the arrowheads were not only dipped in blood but in
fact layers and layers of blood. And if you want a slice of that bloody
history, if you want to know who had voice and who was required to and
forced to remain silent, if you want to know the birthplace of
militancy, nay terrorism, we could travel back in time.
We would
then encounter Haganah, a Jewish militant group that helped the chosen
people evict residents and build settlements for 14 years before
Palestinians decided to ‘go political’ in 1935. Britain’s White Paper
on the subject of terrorism tabled in 1946 mentioned two ‘extremist
Jewish organisations,’ Haganah and Irgun. No PLP, no Hamas or any
organisation of their ilk. Didn't end in 1946, simply put.
The
history of the establishment of the Jewish state of Israel could in fact
be written in terms of the territories annexed. Cartographers and
historians could use quills dipped in blood as recording instruments.
And in all that writing and all that mapping, one thing stands out: no
one asked the Palestinians, they were not allowed 'in the rooms where it
happened' and are kept out still.
But today, ladies and gentlemen, that’s a word to think about. Today. If we talk of arrows, windows and blood, pick a date and look away, who are we then?
so when the veins snapped,
nothing could be saved?
if only dusk came straddled by day and night
but there are no trees now
snapped veins too buried in the rubble of amnesia;
heartbeats wander in a land and among people ghosted
and a drop of blood murmurs:
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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