['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 249th article in the new series that began in December 2022. Links to previous articles are given below]
The
late poet Indika Gunawardena wrote two poems about spiderwebs. In one
he claimed that he was a spider, but one who would weave a different
kind of web. The title was ‘Against the system.’ Following the claim,
Indika states the objective and demonstrates full cognition of the fate
that awaits him -- he is not just a spider weaving a different kind of
web, he thinks not of prey but just the beauty and for this reason
perishes before his time. Unperturbed by sweet death, he is, to the end,
just a spider, yes, weaving a web differently.
I am tempted to
say that we, his friends and readers that is, were the unintended
victims of that singular weave. We still struggle in those delicate
strands, but then again the weave is of such tenderness that this
entrapment pleases. We are prisoners who do not seek freedom.
The other spider poem is brief, elegant, amusing and philosophical. I do not have the original at hand, so this is a rough translation from what I remember:
Weave
weave
weave
commands the spider’s wife
Break
break
break
mine commands.
It is another spider poem or rather a poem about spiderwebs that took me to the poetry of my dear friend who unburdened himself from weaves and traps, domestic and otherwise, almost six years ago.
Fady Joudah calls it ‘Mimesis,’ which means the representation of the real word in art and literature. The Palestinian American physician, poet, and translator has a spider story and one which is not too different from the second of Indika’s poems above.
My daughter
Wouldn’t hurt a spider
That had nested
Between her bicycle handles
For two weeks
She waited
Until it left of its own accord
If you tear down the web I said
It will simply know
This isn’t a place to call home
And you’d get to go biking
She said that’s how others
Become refugees isn’t it?
Indika may or may not have cleared the cobwebs as ordered to, but he certainly wasn’t too happy about perpetrating what amounted to the destruction of habitat. He didn’t have to talk about turning creatures into refugees.
We could argue that the bicycle handles belonged to the girl and therefore the spider was in fact trespassing, just like notions of ownership may very well have prompted the self-righteous intent and therefore the command, ‘break, break, break.’
The spider was not consulted in either case.
What is a clean house? What is a bicycle that’s squeaky clean and not blemished by a skein of silk intricately arranged? Fady’s daughter chose to wait. She needn’t have. Keeping a house neat and tidy is pleasing but what of that to the spider?
Choices. Histories. Territories. Refugees. So much power. So much politics. So many backstories. All of it, yes, all of it, can be swept aside with a broom or brush or a piece of cloth if the aim is right and the magnitude of strength deployed is sufficient. No one has to negotiate with a spider. No one has to say ‘move or else..’ or ‘sorry, must be done…’ No one has to utter a word or spare a thought.
Fady’s daughter did.
And my thoughts went all the way to something my wife told a neighbor who was upset that there were birds, squirrels, monkeys and other creatures eating fruits in our garden. ‘They won’t spare anything; how wasteful!’ That was the neighbour’s lament. Maybe it was said by way of commiseration. Perhaps she thought that we too were distraught about these losses.
‘These are their homelands on which we have encroached,’ my wife said gently and with a smile.
Who came first? Who was invited to whose home? Who confers the right to take umbrage? Who gives the authority to evict?
In the Republic of Poetry in which the heart is resident and where there’s room for empathy, such questions are meaningless. It’s nice to ride a bike. It’s nice to walk. It is nice to step back from life and death issues such as getting from here to there.
Fady knows the weaver’s trade. Fady’s little girl has the eyes to see that the weave is layered and does not forbid further layering. Indika’s weave was so magical that the layering has not stopped so many years after he departed, ‘leaving love’s residue behind’ as promised.
Some little girl, somewhere, upon seeing a spider web between the handlebars of a bicycle, decided to postpone a bike ride. She turned her father into a spider. Just like that. And we, happily trapped in the silken weave that was then woven, move our eyes across broken landscapes, determined to re-flower them with tenderness.
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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