19 October 2023

When the earth closes upon us...


['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 248th article in the new series that began in December 2022. Links to previous articles are given below]
 

What lies beyond the last frontier, one may ask. What flying space remains after the last sky, that’s another question. Then, how about the plant’s resting place after the last breath of air has been breathed?


These are questions asked by the poet Mahmoud Darwish. They are at-the-end-point questions. Unanswerable. A full stop has been placed. Conversation cannot proceed. Sorrows cannot be expressed. Hope has been buried. The earth has closed upon someone, a people, a land, an idea even. End of the line is not a happy place to arrive at.

Who on this planet has never ever felt that this terrible moment has arrived? It happens. There are down days that seem to have dragged us to the earth’s very core and all that is left is for the fact of closing in, the fact of burial to be completed. Then the full stop. Silence.

But then again, this world is also made of vicissitudes. Euphoria is interrupted. The tumultuous wave of sorrow breaks and sometimes the swirling waters take us ashore.

One might think that what holds for one would always hold for all, just as an individual’s fortunes ebb and flow so too with hope and hopelessness lift and batter respectively the collective. Maybe all we need to do is shift the goalpost or use a different unit of time. Moment, after all, in aggregate make minutes and minutes in aggregate produce hours and so we can think of day, week, month,  year, decade, century or millennia.

‘This too shall pass’ is salve for the sole’s many blisters when one has walked and walked and walked only to arrive at cliff-edge, at the last frontier, full stop. But then there are moments when overarching histories are reduced to rubble and eventually dust that scatters far and wide, entombing moments, memories, heartaches and all the love poetry that one believes has ever been written.

And then we come to ‘what now?’  

That moment has come for all people tormented one way or another, people who’ve felt the earth closing in and, as Darwish paints it, when the moving earth pushes us through the (narrow) last passage, they’ve had to tear off their limbs just to pass through. Darwish wishes the Earth were our mother, just so there would be kindness, but then when people ‘see the faces of those who will throw [their] children out of the window of this last space,’ what is left to do?

He answers:
 
We will write our names with scarlet steam.
We will cut off the hand of the song to be finished by our flesh.
We will die here, here in the last passage.
Here and here our blood will plant its olive tree.

Good people, as I sit here, a few hours past midnight, thinking of the Palestine poet Mahmoud Darwish and the words he wrote so long ago as though he was writing for this day, which indeed tell us that there have been such days before, days of the earth closing in and people having to tear off limbs to pass through narrow passages, there are names being written with scarlet steam, the hands of songs to be finished by people’s flesh, they are dying, right there in the last passage and here and here, among ruins and repercussion, facts and fabrication, skies that dissolved by the acidic minds of a land-thief, there is blood, each drop planting an olive tree. 

Yes, as the earth closes in upon all of us, literally and metaphorically, we obtain solace from the conviction that olive trees are being birthed by blood-drop in a land where passports need to be surrendered in order to hold tenaciously to identity. As the Palestinian poet Mahmoud Darwish explains:

Passport

They did not recognize me in the shadows
That suck away my color in this Passport
And to them my wound was an exhibit
For a tourist Who loves to collect photographs
They did not recognize me,
Ah . . . Don’t leave
The palm of my hand without the sun
Because the trees recognize me
Don’t leave me pale like the moon!

All the birds that followed my palm
To the door of the distant airport
All the wheatfields
All the prisons
All the white tombstones
All the barbed Boundaries
All the waving handkerchiefs
All the eyes
were with me,
But they dropped them from my passport

Stripped of my name and identity?
On soil I nourished with my own hands?
Today Job cried out
Filling the sky:
Don’t make an example of me again!
Oh, gentlemen, Prophets,
Don’t ask the trees for their names
Don’t ask the valleys who their mother is
From my forehead bursts the sword of light
And from my hand springs the water of the river
All the hearts of the people are my identity
So take away my passport!

Other articles in this series: 

Let us now march to the battleground of words

The most pernicious human shield

Who bombed Frankfurter Buchmesse

The truly besieged 

Love's austere and lonely offices

The mysteriously enjoined in the middle of nowhere

Serendipity now!

Reflections on the unimaginable 

Jackson Anthony is a book and will be read 

A village called Narberth Bookshop

Gateway drugs to A-B-C

'Irvin' and other one-word poems

Earth pieces Kerala and Sri Lanka

Obligation as bomb and ocean

In the land of insomnial poets

In and out of shadows

Over to Eve

When you don't need an invitation, it's home

When the Canadian House of Commons applauded a Nazi...

Touching the touch-me-nots

The importance of not skipping steps

No free passes to the Land of Integrity

Hector Kobbekaduwa is not a building, statue, street or stamp

Rajagala and the Parable of the Panner

Let's show love to Starbucks employees!

You've got mail?

Octavio Paz and Arthur C Clarke in the stratosphere 

Enduring solidarities 

Coco 'Quotes' Gauff!

9/11 and the calm metal instrument of Salvador Allende's voice 

What a memory-keeper foregoes 

Whitman, Neruda and things that wait in all things

Thilina Kaluthotage's eyes keep watch

Those made of love will fly

Profit: the peragamankaru of major wars

Helplessness and innocence

The parameters of entirety

In loving memory of Carrie Lee (1956-2020)

Mobsters on and off the screen

Transfixing and freeing dawns

We're here because we're here because we're here

Life signatures

Sha'Carri Richardson versus and with Sha'Carri Richardson  

A canvas for a mind-brush

Sybil Wettasinghe's shoes

Love is...

A stroll with Pragg and Arjun along a boulevard in Baku

Meditation on tree-art

Daya Sahabandu ran out of partners but must have smiled to the end

Gentle intrusions 

Sleeping well

The unleashing of inspiration

Write, for Pete's sake

Autumn Leaves Safeness

 Sapan and voices that erase borders

Problem elephants and problem humans

Songs from the vaekanda

The 'inhuman' elephant in a human zoo

Ivan Art: Ivanthi Fernando's efforts to align meaning

Arwa Turra, heart-stitcher

Let's help Jagana Krishnakumar rebuild our ancestral home

True national anthems

Do you have a friend in Pennsylvania (or anywhere?)

A gateway to illumination in West Virginia

Through strange fissures into magical orchards

There's sea glass love few will see 

Re-residencing Lakdasa Wikkramasinha

Poisoning poets and shredding books of verse

The responsible will not be broken

Home worlds

Ownership and tenuriality of the Wissahickon

Did you notice the 'tiny, tiny wayside flowers'?

Gifts, gifting and their rubbishing

History is new(s)

Journalism inadvertently learned

Reflections on the young poetic heart

Wordaholic, trynasty and other portmanteaus

The 'Loku Aiya' of all 'Paththara Mallis'

Subverting the indecency of the mind

Character theft and the perennial question 'who am I?'

Innocence

A degree in people

Faces dripping with time

Saji Coomaraswamy and rewards that matter

Revolutionary unburdening

Seeing, unseeing and seeing again

Alex Carey and the (small) matter of legacy

The Edelweiss of Mirissa 

The insomnial dreams of Kapila Kumara Kalinga 

The clothes we wear and the clothes that wear us (down) 

Every mountain, every rock, is sacred 

Manufacturing passivity and obedience 

Precept and practice 

Sanjeew Lonliyes: rawness unplugged, unlimited 

In praise of courage, determination and insanity 

The relative values of life and death 

Feet that walk 

Sarinda's eyes 

Poetry and poets will not be buried 

Sunny Dayananda 

Reunion Peradeniya (1980-1990) 

What makes Oxygen breathable?  

Sorrowing and delighting the world 

The greatest fallacy  

Encounters with Liyanage Amarakeerthi 

Beyond praise and blame 

Letters that cut and heal the heart 

Vanished and vanishing trails 

Blue-blueness 

A forgotten dawn song from Embilipitiya 

The soft rain of neighbourliness  

The Gold Medals of being 

Jaya Sri Ratna Sri 

All those we've loved before 

Reflections on waves and markings 

A chorus of National Anthems 

Saying what and how 

'Say when' 

Respond to insults in line with the Akkosa Sutra 

The loves of our lives 

The right time, the right person 

The silent equivalent of a thousand words 

Crazy cousins are besties for life 

Unities, free and endearing 

Free verse and the return key

"Sorry, Earth!" 

The lost lyrics of Premakeerthi de Alwis 

The revolution is the song 

Consolation prizes in competitions no one ever wins 

The day I won a Pulitzer 

Ko? 

Ella Deloria's silences 

Blackness, whiteness and black-whiteness 

Inscriptions: stubborn and erasable  

Thursday! 

Deveni: a priceless one-word koan 

Enlightening geometries 

Let's meet at 'The Commons' 

It all begins with a dot 

Recovering run-on lines and lost punctuation 

'Wetness' is not the preserve of the Dry Zone 

On sweeping close to one's feet 

Kumkum Fernando installs Sri Lanka in Coachella, California

To be an island like the Roberts... 

Debts that can never be repaid in full

An island which no flood can overwhelm 

Who really wrote 'Mother'? 

A melody faint and yet not beyond hearing 

Heart dances that cannot be choreographed 

Remembering to forget and forgetting to remember 

On loving, always 

Authors are assassinated, readers are immortal 

When you turn 80... 

It is good to be conscious of nudities  

Saturday slides in after Monday and Sunday somersaults into Friday  

There's a one in a million and a one in ten 

Gunadasa Kapuge is calling 

Kumkum Fernando installs Sri Lanka in Coachella, California 

Hemantha Gunawardena's signature 

Pathways missed 

Architectures of the demolished 

The exotic lunacy of parting gifts 

Who the heck do you think I am? 

Those fascinating 'Chitra Katha' 

The Mangala Sabhava 

So how are things in Sri Lanka? 

The most beautiful father 

Palmam qui meruit ferat 

The sweetest three-letter poem 

Buddhangala Kamatahan 

An Irish and Sri Lankan Hello 

Teams, team-thinking, team-spirit and leadership 

The songs we could sing in lifeboats when we are shipwrecked 

Pure-Rathna, a class act 

Jekhan Aruliah set a ball rolling in Jaffna 

Awaiting arrivals unlike any other 

Teachers and students sometimes reverse roles 

Matters of honor and dignity 

Yet another Mother's Day 

A cockroach named 'Don't' 

Colombo, Colombo, Colombo and so forth 

The slowest road to Kumarigama, Ampara 

Sweeping the clutter away 

Some play music, others listen 

Completing unfinished texts 

Mind and hearts, loquacious and taciturn 

I am at Jaga Food, where are you? 

On separating the missing from the disappeared 

Moments without tenses 

And intangible republics will save the day (as they always have) 

The world is made of waves 

'Sentinelity' 

The circuitous logic of Tony Muller 

Rohana Kalyanaratne, an unforgettable 'Loku Aiya' 

Mowgli, the Greatest Archaeologist 

Figures and disfigurement, rocks and roses 

Sujith Rathnayake and incarcerations imposed and embraced 

Some stories are written on the covers themselves 

A poetic enclave in the Republic of Literature 

Landcapes of gone-time and going-time  

The best insurance against the loud and repeated lie 

So what if the best flutes will not go to the best flautists? 

There's dust and words awaiting us at crossroads and crosswords 

The books of disquiet 

A song of terraced paddy fields 

Of ants, bridges and possibilities 

From A through Aardvark to Zyzzyva  

World's End 

Words, their potency, appropriation and abuse 

Street corner stories 

Who did not listen, who's not listening still? 

The book of layering 

If you remember Kobe, visit GOAT Mountain 

The world is made for re-colouring 

The gift and yoke of bastardy 

The 'English Smile' 

No 27, Dickman's Road, Colombo 5 

Visual cartographers and cartography 

Ithaca from a long ago and right now 

Lessons written in invisible ink 

The amazing quality of 'equal-kindness' 

A tea-maker story seldom told 

On academic activism 

The interchangeability of light and darkness 

Back to TRADITIONAL rice 

Sisterhood: moments, just moments 

Chess is my life and perhaps your too

Reflections on ownership and belonging 

The integrity of Nadeesha Rajapaksha 

Signatures in the seasons of love

To Maceo Martinet as he flies over rainbows 

Sirith, like pirith, persist 

Fragrances that will not be bottled  

Colours and textures of living heritage 

Countries of the past, present and future 

A degree in creative excuses

Books launched and not-yet-launched 

The sunrise as viewed from sacred mountains 

The ways of the lotus 

Isaiah 58: 12-16 and the true meaning of grace 

The age of Frederick Algernon Trotteville 

Live and tell the tale as you will 

Between struggle and cooperation 

Of love and other intangibles 

Neruda, Sekara and literary dimensions 

The universe of smallness 

Paul Christopher's heart of many chambers 

Calmness gracefully cascades in the Dumbara Hills 

Serendipitous amber rules the world 

Continents of the heart
  
The allegory of the slow road


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