12 October 2023

The mysteriously enjoined in the middle of nowhere

['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 242nd article in the new series that began in December 2022. Links to previous articles are given below]

‘The middle of nowhere' is a phrase often used to describe what is perceived to be a location that has no meaning whatsoever. Nowhere, after all, vague though it is, always implies a 'somewhere' that makes sense. ‘The middle of nowhere,’ then, is positively godforsaken. It’s all metaphor of course and that's how I thought of it until Gary Larson made ‘Nowhere’ an actual place, something tangible, in his single panel comic 'The Far Side.'

It is an astounding piece of surrealistic art. He has a couple driving through what appears to be a desolate landscape with the passenger, a woman, holding a map with the legend ‘NOWHERE.’ They are passing a sign that says 'ENTERING THE MIDDLE.' The comment below, attributable to either of them, is hilarious as it is dark and foreboding: ‘Well, this is just going from bad to worse.’


The middle. It’s not a place anyone wants to be or to stop at. People need to get from A to Z and that’s what they try, for all talk of it being about the journey and not the destination. The tyranny of extremity can take other forms. People go for broke: all or nothing. And just as we refuse to see the B, C, D and so on until W, X and Y, we willingly retire the eyes to see the charm and delight that possibly describe some of the innumerable ‘some things’ between all and nothing.

Well, a few hours ago, somewhere in the middle of New York City whose beginnings and ends are many and, fortunately unknown enough so I could name ‘middle’ at will and which I now announce, ‘Mcnally Jackson Books,’ serendipitously in the middle of a literary event, Colum McCann flipped, deconstructed and vegetated ‘The Middle of Nowhere.’

The event was an ‘end,’ literally. It was a discussion of the series ending collection of “Freeman’s,”  a biannual of unpublished writing put together by writer and literary critic John Freeman, the former editor of Granta, featuring some of the contributors with John as moderator. The last word of "Freeman’s" was appropriately titled ‘Conclusions’ and it was necessarily and elegantly subverted. This was evident in the parts that were read and the responses of the authors to whom John posed questions which gently nudged them to speak at and to any place but the end, the conclusion, the destination.

Colum McCann
 McCann, author of seven novels, three collections of stories and two works of non-fiction colluded with John, by picking a few specific lines to read from his short essay, again appropriately titled, ‘The beginning is today.’

‘And if the beginning and the end of any story - or indeed any life - are a conundrum, then the absolute mystery of things must be to find the pure middle of anything.’

He goes on to conclude (bad word), ‘[The] middle of any life, like the middle of any story, lies at an impossible point. We are all beautifully and mysteriously incomplete.’ Indeed, he insists that everything is a mystery which implies that nothing is fully known, but that kind of ignorance does not necessarily lead to despair. Colum offers the salve that has an empowering trace: ‘…it is this mystery that joins us together.’

When, after all, can anyone say in all honesty ‘there…done!’ unless terribly afflicted with ignorance or arrogance or both? A full stop interrupts the movement of blood along veins, the commerce of ideas, the will to imagine and reimagine. It signals the establishment of tyranny, the outlawing of poetry and the banishment of poets. Happily, the ellipsis is an accomplished truant that puts up signs with the single-word legend ‘nowhere’ in the middle of every asserted end, thereby surreptitiously renaming them, ‘Beginning.’

And so the poetry of this world is reborn and in turn rebirths the mysterious incompletes that help convince us of impossible truths in all the middles that are left unmarked on maps and therefore argued to be nonexistent.  
John Freeman
Freeman, in a deft insurrectionary editorial move, positions ‘A short manifesto’ by Barry Lopez at the end to invite the reader to consider the proposition of the middle’s purity, its tantalising incompleteness and the unidentifiable and yet unmistakable solidarities that find residence there.  

‘We need to discover that our grace resides in our generosity, and our wisdom in a greater courtesy toward the mystery that contains us.’

Larson’s clever cartoon at first glance is funny even as it reminds us of the dark regions of our predicament as individuals and as collectives. And yet it captures that very commonality of being contained within the mysterious. 
There, in that nowhere which is the middle where poets and readers find each other and in each other, themselves, there is a sharing that’s touched by rare grace. That is the generosity of “Freeman’s” and all those who brought word-food to that common table since 2015. No one need starve and no one will. Not in the middle, if its mystery is recognised and duly watered with literature. And thus do we learn the true dimensions of ‘bad’ and ‘worse’ and most importantly that their existence does not banish ‘good’ and ‘better’ to the middles of the nowheres out there or within our hearts and minds.
Other articles in this series: 

Serendipity now!

Reflections on the unimaginable 

Jackson Anthony is a book and will be read 

A village called Narberth Bookshop

Gateway drugs to A-B-C

'Irvin' and other one-word poems

Earth pieces Kerala and Sri Lanka

Obligation as bomb and ocean

In the land of insomnial poets

In and out of shadows

Over to Eve

When you don't need an invitation, it's home

When the Canadian House of Commons applauded a Nazi...

Touching the touch-me-nots

The importance of not skipping steps

No free passes to the Land of Integrity

Hector Kobbekaduwa is not a building, statue, street or stamp

Rajagala and the Parable of the Panner

Let's show love to Starbucks employees!

You've got mail?

Octavio Paz and Arthur C Clarke in the stratosphere 

Enduring solidarities 

Coco 'Quotes' Gauff!

9/11 and the calm metal instrument of Salvador Allende's voice 

What a memory-keeper foregoes 

Whitman, Neruda and things that wait in all things

Thilina Kaluthotage's eyes keep watch

Those made of love will fly

Profit: the peragamankaru of major wars

Helplessness and innocence

The parameters of entirety

In loving memory of Carrie Lee (1956-2020)

Mobsters on and off the screen

Transfixing and freeing dawns

We're here because we're here because we're here

Life signatures

Sha'Carri Richardson versus and with Sha'Carri Richardson  

A canvas for a mind-brush

Sybil Wettasinghe's shoes

Love is...

A stroll with Pragg and Arjun along a boulevard in Baku

Meditation on tree-art

Daya Sahabandu ran out of partners but must have smiled to the end

Gentle intrusions 

Sleeping well

The unleashing of inspiration

Write, for Pete's sake

Autumn Leaves Safeness

 Sapan and voices that erase borders

Problem elephants and problem humans

Songs from the vaekanda

The 'inhuman' elephant in a human zoo

Ivan Art: Ivanthi Fernando's efforts to align meaning

Arwa Turra, heart-stitcher

Let's help Jagana Krishnakumar rebuild our ancestral home

True national anthems

Do you have a friend in Pennsylvania (or anywhere?)

A gateway to illumination in West Virginia

Through strange fissures into magical orchards

There's sea glass love few will see 

Re-residencing Lakdasa Wikkramasinha

Poisoning poets and shredding books of verse

The responsible will not be broken

Home worlds

Ownership and tenuriality of the Wissahickon

Did you notice the 'tiny, tiny wayside flowers'?

Gifts, gifting and their rubbishing

History is new(s)

Journalism inadvertently learned

Reflections on the young poetic heart

Wordaholic, trynasty and other portmanteaus

The 'Loku Aiya' of all 'Paththara Mallis'

Subverting the indecency of the mind

Character theft and the perennial question 'who am I?'


A degree in people

Faces dripping with time

Saji Coomaraswamy and rewards that matter

Revolutionary unburdening

Seeing, unseeing and seeing again

Alex Carey and the (small) matter of legacy

The Edelweiss of Mirissa 

The insomnial dreams of Kapila Kumara Kalinga 

The clothes we wear and the clothes that wear us (down) 

Every mountain, every rock, is sacred 

Manufacturing passivity and obedience 

Precept and practice 

Sanjeew Lonliyes: rawness unplugged, unlimited 

In praise of courage, determination and insanity 

The relative values of life and death 

Feet that walk 

Sarinda's eyes 

Poetry and poets will not be buried 

Sunny Dayananda 

Reunion Peradeniya (1980-1990) 

What makes Oxygen breathable?  

Sorrowing and delighting the world 

The greatest fallacy  

Encounters with Liyanage Amarakeerthi 

Beyond praise and blame 

Letters that cut and heal the heart 

Vanished and vanishing trails 


A forgotten dawn song from Embilipitiya 

The soft rain of neighbourliness  

The Gold Medals of being 

Jaya Sri Ratna Sri 

All those we've loved before 

Reflections on waves and markings 

A chorus of National Anthems 

Saying what and how 

'Say when' 

Respond to insults in line with the Akkosa Sutra 

The loves of our lives 

The right time, the right person 

The silent equivalent of a thousand words 

Crazy cousins are besties for life 

Unities, free and endearing 

Free verse and the return key

"Sorry, Earth!" 

The lost lyrics of Premakeerthi de Alwis 

The revolution is the song 

Consolation prizes in competitions no one ever wins 

The day I won a Pulitzer 


Ella Deloria's silences 

Blackness, whiteness and black-whiteness 

Inscriptions: stubborn and erasable  


Deveni: a priceless one-word koan 

Enlightening geometries 

Let's meet at 'The Commons' 

It all begins with a dot 

Recovering run-on lines and lost punctuation 

'Wetness' is not the preserve of the Dry Zone 

On sweeping close to one's feet 

Kumkum Fernando installs Sri Lanka in Coachella, California

To be an island like the Roberts... 

Debts that can never be repaid in full

An island which no flood can overwhelm 

Who really wrote 'Mother'? 

A melody faint and yet not beyond hearing 

Heart dances that cannot be choreographed 

Remembering to forget and forgetting to remember 

On loving, always 

Authors are assassinated, readers are immortal 

When you turn 80... 

It is good to be conscious of nudities  

Saturday slides in after Monday and Sunday somersaults into Friday  

There's a one in a million and a one in ten 

Gunadasa Kapuge is calling 

Kumkum Fernando installs Sri Lanka in Coachella, California 

Hemantha Gunawardena's signature 

Pathways missed 

Architectures of the demolished 

The exotic lunacy of parting gifts 

Who the heck do you think I am? 

Those fascinating 'Chitra Katha' 

The Mangala Sabhava 

So how are things in Sri Lanka? 

The most beautiful father 

Palmam qui meruit ferat 

The sweetest three-letter poem 

Buddhangala Kamatahan 

An Irish and Sri Lankan Hello 

Teams, team-thinking, team-spirit and leadership 

The songs we could sing in lifeboats when we are shipwrecked 

Pure-Rathna, a class act 

Jekhan Aruliah set a ball rolling in Jaffna 

Awaiting arrivals unlike any other 

Teachers and students sometimes reverse roles 

Matters of honor and dignity 

Yet another Mother's Day 

A cockroach named 'Don't' 

Colombo, Colombo, Colombo and so forth 

The slowest road to Kumarigama, Ampara 

Sweeping the clutter away 

Some play music, others listen 

Completing unfinished texts 

Mind and hearts, loquacious and taciturn 

I am at Jaga Food, where are you? 

On separating the missing from the disappeared 

Moments without tenses 

And intangible republics will save the day (as they always have) 

The world is made of waves 


The circuitous logic of Tony Muller 

Rohana Kalyanaratne, an unforgettable 'Loku Aiya' 

Mowgli, the Greatest Archaeologist 

Figures and disfigurement, rocks and roses 

Sujith Rathnayake and incarcerations imposed and embraced 

Some stories are written on the covers themselves 

A poetic enclave in the Republic of Literature 

Landcapes of gone-time and going-time  

The best insurance against the loud and repeated lie 

So what if the best flutes will not go to the best flautists? 

There's dust and words awaiting us at crossroads and crosswords 

The books of disquiet 

A song of terraced paddy fields 

Of ants, bridges and possibilities 

From A through Aardvark to Zyzzyva  

World's End 

Words, their potency, appropriation and abuse 

Street corner stories 

Who did not listen, who's not listening still? 

The book of layering 

If you remember Kobe, visit GOAT Mountain 

The world is made for re-colouring 

The gift and yoke of bastardy 

The 'English Smile' 

No 27, Dickman's Road, Colombo 5 

Visual cartographers and cartography 

Ithaca from a long ago and right now 

Lessons written in invisible ink 

The amazing quality of 'equal-kindness' 

A tea-maker story seldom told 

On academic activism 

The interchangeability of light and darkness 

Back to TRADITIONAL rice 

Sisterhood: moments, just moments 

Chess is my life and perhaps your too

Reflections on ownership and belonging 

The integrity of Nadeesha Rajapaksha 

Signatures in the seasons of love

To Maceo Martinet as he flies over rainbows 

Sirith, like pirith, persist 

Fragrances that will not be bottled  

Colours and textures of living heritage 

Countries of the past, present and future 

A degree in creative excuses

Books launched and not-yet-launched 

The sunrise as viewed from sacred mountains 

The ways of the lotus 

Isaiah 58: 12-16 and the true meaning of grace 

The age of Frederick Algernon Trotteville 

Live and tell the tale as you will 

Between struggle and cooperation 

Of love and other intangibles 

Neruda, Sekara and literary dimensions 

The universe of smallness 

Paul Christopher's heart of many chambers 

Calmness gracefully cascades in the Dumbara Hills 

Serendipitous amber rules the world 

Continents of the heart
The allegory of the slow road