I’ve spent the past few days in Amherst, Massachusetts, with my friend, the poet John Hennessy. He teaches creative writing and literature at the University of Massachusetts, Amherst and lives a few miles away from the campus.
‘A few miles away’ makes it quite rural. From the balcony of his second floor apartment one can see dozens of cows grazing in the meadows across the road. Beyond the farmland there are hills covered by forest. On certain dawns, even in late October, the sunrise is spectacular; bright red streaks caressing the crest of the hills. Sometimes it is dismal; rain clouds seamlessly dripping into a curtain of mist. This morning I woke up to find it was snowing. Wet snow. Unusual for late October in these days of climate change, John said, although it would have been ‘normal’ ten years ago.
The mist lifts as the day proceeds, detailing the landscape, a less than vibrant cocktail of fall colours, the green of the meadow, black forms of the cows with their heads down, diligently scrolling, scrolling, scrolling the dew-laden grass, black ribbon of the road, cattle sheds and a single house, yes, the only one that can be seen from John’s balcony.
The first time I heard of Amherst was more than 30 years ago. Amherst College, to be exact; back then I hadn’t heard of ‘UMass, Amherst.’ Amherst College was one of two schools I applied to as an undergraduate seeking to transfer from the University of Peradeniya which, like all universities in Sri Lanka at the time, was closed — I had completed just one academic year in three calendar years.
Amherst rejected me and I received the notification after I had already arrived at the other school. John, interestingly, had rejected Amherst when he was applying to colleges. That’s a story for John’s memoirs, but we are planning to go there and take a picture. We could caption it as ‘What Amherst College missed’ or ‘What we missed,’ but right now we are tending towards the former.
He took me to Book Mill, a quaint bookshop with a cosy cafe by a stream, showed me Emily Dickinson’s house which is now a museum and dropped me off at the W E B Du Bois Library where I read some quotes accompanying photographs of the great man. ‘The irony of it all,’ I told myself. About Du Bois’ quotes, I mean.
Obviously I cannot blurb a university (UMass) that was established in 1863 or a college (Amherst College) founded in 1821 and certainly not a town, the history of whose name goes back to 1759. I can tell an Amherst - Sri Lanka story though.
John the Poet, as my sister refers to him, lives in a small house unbelievably rich in poetry. In each of the few days I’ve been here John has received at least two books of poetry, usually periodicals which he has contributed to as poet, translator or editor. John has countless stories about poets and poetry. ’John Hennessy, poets and poetry,’ is an article I will never be able to write, though.
However there is one book, an anthology, that I must mention: ‘Out of Sri Lanka: Tamil, Sinhala & English Poetry from Sri Lanka and its Diaspora.’ I am among several dozens of poets featured in the collection and John wanted me to sign it. I opened the book to a random page. It was a poem by my favourite contemporary Sinhala poet, Ruwan Bandujeewa, translated by Chamini Kulathunga.
That name! I first met Chamini when she was still an undergraduate at the University of Colombo. She was interested in literary translation, especially the work of Mahagama Sekera. Chamini left Sri Lanka to pursue a Master of Fine Arts at the University of Iowa. I hadn’t seen her in over five years. So I texted her, asking how she was and informing her that I was in the USA, in Amherst to be exact.
‘I’m in Amherst as well.’
So we met at the Du Bois library (outside which John had dropped me). Talked. And later we went out with John the Poet and his son, Nick the Playwright. The conversation was a walk among poets, poetry, script-writing, theatre productions and academic life. Quite a place for serendipity Amherst is, I thought to myself.
John and I at Amherst College (finally!) |
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 259th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
0 comments:
Post a Comment