Pic by Rasmi Sporny |
When you are just 27 or thereabouts, being 70 years old is understandably something that can be described as ‘terribly strange.’ A few weeks ago I asked a group of undergraduates, probably in their late teens or early twenties if they can imagine themselves being 35. ‘No,’ was the consensus. I got the sense that they are convinced of their immortal youthfulness.
They are right. They won’t age. No one does. In a sense.
Paul Simon, when he wrote the lyrics of ‘Old friends,’ cannot be faulted for thinking of ’70’ as being terribly strange and this goes for the featured singer Art Garfunkel. They are both 82 now and are more ‘friends from a long time ago,’ than ‘old friends’ but that’s beside the point.
Garfunkel in an interview with Jim Clash for the Forbes Magazine in 2014 offered some interesting reflections on age:
I’m 73 and feel pretty vital. [The line] was intended to be how terribly strange to be 70 when you’re an old man sitting on a park bench with your buddy, and you make bookends with him. But as I turned 70, I remember thinking ‘piece of cake. Drive right through, man.’ If you want to know the truth, then came 71 and it wasn’t such a piece of cake. It slips in on your lower back, your frame. You handle a long flight to Japan much worse than you used to. But in terms of mental attitude, the passion you have for your next project, 70 is effortless. Artists bounce from project to project, and I live with the fun of what’s next. If anything, I burn stronger at this age.
Not everyone does, burn stronger at and beyond 70 that is. And light that does burn bright can suddenly burn pale, as the song written by Mike Batt for the film ‘Watership Down’ sung by Garfunkel goes. The author of the book the film was based on, Richard Adams, is said to have hated the song. Excellent book by the way.
‘Old friends’ is not a sixties or seventies song, it’s a song people of a particular generation remember when they turn 70. A seventy-song, then. I might too and if I do reach that age I could also talk about fire, burning bright or pale and what has or has not slipped on my lower back.
I remembered the song when I saw two beautiful photographs that my friend Rasmi Sporny had posted, one of autumn leaves stuck between the boards of a wooden park bench and another which focused on a single leaf. Beautiful compositions in terms of noticing the color combination and getting really nice angles which made leaves and wood say so much.
Old friends, old friends
Sat on their park bench like bookends
A newspaper blown through the grass
Falls on the round toes
Of the high shoes of the old friends
Pic by Rasmi Sporny |
What do leaves say to one another when they settle down on park benches? Are their conversations different at different times of the year? Do they compare their respective colours? Do they speak of seasons that are done and seasons yet to arrive? Do they bookend literatures of delight, hope, regret, equanimity or the solitudes they’ve observed?
We are but leaves passing through seasonal continents. Age lodges us between boards of a wooden park bench. If we are lucky we have fraternal leaves to exchange notes about things that slipped onto our lower backs. We could of course also talk of what came before and what might come next.
And we could laugh and laugh and laugh.
They may be seen by a beautiful person who, if asked, might yet say that it must be terribly strange to be seventy or, who knows, might make a mental note such as ‘how indescribably cute!’
We might be asked, ’may I take a picture?’
The
timber of our lives are less resilient than the weather-proofed stuff
that park benches are made of. So many years. So many leaves. So many
colours. So many memories curling up in ways that exasperate, deceive or
make everything seem unbelievably magical.
Let us gently on
the leaves that clog the sidewalks. Their rustle could be deep and
philosophical discussion about seasonality. Or love. And let’s say hello
to park benches: they may have known many old friends who’ve had their
days as bookends. And let's resolve to do what's necessary to remain 27
even when we are 72 -- like seeing leaves and benches and imagining old
friends and bookends.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 268th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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