I received a request this morning: ’Write a magical piece when time permits, about something beautiful.’
It reminded me of a poem in which Pablo Neruda may have responded to a similar request. In I explain a few things.
Neruda addresses the question, ‘what should a poet write about?’ What
kind of poetry should be written, of course, is answered in the poem
itself, translated by Nathaniel Tarn.
.
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics ?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?'
So
he tells ‘all the news,’ of the Spain to which he has loaned his heart
and words. He described the magic and beauty of the Spain of that
moment, referring to the geraniums, the leather ocean, the dogs and
children. And more:
[metres], litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down to the sea.
He writes of a morning when it all changed:
…one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings -
and from then on fire,
gunpowder from then on,
and from then on blood.
He talks of the people he loved, among them the poet Federico Garcia Lorca: Federico, do you remember / from under the ground / where the light of June drowned flowers in your mouth? And how, he saw, with you and I, 'the blood of Spain tower like a tide,' and how everyone was [drowned] in one wave of pride and knives!
And so to the conclusion:
And you will ask: why doesn’t his poetry
speak of dreams and leaves
and the great volcanoes of his native land?
Come and see the blood in the streets.
Come and see
the blood in the streets.
Come and see the blood
in the streets!
There
are flowers bursting somewhere on this planet. There are children
laughing, harvests being gathered, tables being set, glasses being
raised to toast the toast-worthy, and uncontainable hearts pouring out
of lovers’ eyes and immediately translated into poetry.
Jews for Peace is one organisation that has consistently and in their thousands come out in protest of the barbarism perpetrated in their name by the Israeli government. People in almost every country have staged massive protests in their towns and cities. In many protests the names of Palestine's children, children robbed from us by Israel with the assistance of the US, UK and European governments, were read aloud.
Here’s a note from a writer, one of the hundreds who signed a petition vehemently condemning the wanton destruction of Gaza and the killing of Palestinian civilians, especially children:
‘South Africa's streets were flooded. People filled Victoria Station in London. Palestinian flags now fly all over the world. We are 75 years too late for so many people. Too late for so much. Our silence for decades, our willingness to use that word "complicated," our "this is the most important election" excuse (a phrase that has lead to us postponing everything from reversing environmental degradation to ending the daily brutality toward our Black brothers and sisters, and certainly to permitting arms manufacturers to rule the world), lead us to this moment. Palestine is not on another planet. It is accessible by air, sea, land. And yet Palestinians are, as we are, being HELD HOSTAGE by Israel through the force of their weapons. The meek might inherit the earth. But they have to be willing to fight for it. This is our fight.’
And if there’s no time to write the poetry of all that is at once magical, terrifying, inhumane, pitiful, courageous, tender and beautiful, we need to ask ourselves if there ever will be time to write about the light of this November in the year 2023 bursting like an orchard in our mouths, moments breaking into delightful patterns in the kaleidoscope of love’s immemorial blush, dreams that uncurl with morning dew and other things that could stand witness but refuse to see the blood in the streets.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 262nd article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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