The tenses are inhabited by one and all, one way or another. There are things in the past that we visit and which visit us. We travel to futures with hope and trepidation. We inhabit a present that is unutterably magical or unbearably sad. Most times it’s somewhere between those extremities.
It is the same with collectives when they are compelled by circumstances to walk together along the time-spectrum. Sometimes it is about things historic when directions were changed or different tomorrows envisaged with both informing the parameters of today’s engagement.
An hour ago my friend and indefatigable activist for peace in the world and especially South Asia, Beena Sarwar, sent me a request: ‘Do you have any poem you can read for the #PoetryOfResistance series? Can be your own or someone else’s.’
Beena had earlier written to me asking if my sister, Ru Freeman, could read a poem she had recently written titled ‘Life Line to Gaza’ published in Literary Hub. She agreed.
It is a ‘say it all’ poem and for a moment I thought to myself ‘what more can I say?’ one might say but then again the world resists full stops and that’s a good thing. There’s always more to say. There’s always a reason to recite something someone said in some other time, on some other continent where resistance was demanded or had become a way of life. Sometimes that’s the only way one can breathe. And so I said ‘I’ll look for one.’
What could I offer the ‘Poetry of Resistance’ campaign launched by ‘Joy of Urdu,’ which Beena informed me is a bilingual, nonprofit organization of which she is a founding advisor for and is now run by [her] ‘dear young(er) friend Zarminae Ansari’?
Every epoch, every country, industry, university, workplace has known poets who resisted tyranny, oppression, injustice and other objectionable things with words. They sometimes stood up and say ‘No!’ Sometimes they sat down and wrote. They were soldiers who stood with people who fought battles they believed were worth fighting or they simply had to fight or die. So there are place-specific and moment-specific verses which console and empower. There’s also poetry that is forged in the irreducible commonality of struggle. Such words are timeless. They slip out from the languages they are originally written in, from the battlegrounds where they first stood tall and tender.
In short, it’s not too hard to find a poem written by someone else. Like ‘Spain,’ written by W H Auden in 1939 which I have referred to in an article titled ‘The world shall not be emptied of poetry.’ I remembered this poem because when I tried to think of something I had written, my mind went all the way back to 2007 when I wrote a rather long poem titled ‘An Ode to Today.’
It was written when there were moves by powerful nations as well as spoilers within Sri Lanka to turn back the offensive against the world's most ruthless terrorist outfit, the LTTE, and at a moment when these forces sought to oust the then government by defeating the budget. I used the structure of Auden's poem.
Here’s some lines from the master:
Yesterday the installation of dynamos and turbines,
The construction of railways in the colonial desert;
Yesterday the classic lecture
On the origin of Mankind. But to-day, the struggle.
Here’s mine, words of the unwashed mendicant:
Yesterday the unthinkable embrace of leader and led
The wild humour of illusion and the waiver of colonial debts
The return of monarch in tie and coat and Old Spiced tongue
The manufacture of skies and winds for spider-web kites.
And the master again about the future:
To-morrow, perhaps the future. The research on fatigue
And the movements of packers; the gradual exploring of all the
Octaves of radiation;
To-morrow the enlarging of consciousness by diet and breathing.
Mendicant:
Tomorrow perhaps a different time, a landscape differently contoured,
The support for the necessary impeachment, the dethroning of tyrants,
The investigation of pilferage, the evicting of clowns,
The restoration of law and order, and the beatification of the saintly.
‘Today, the struggle,’ Auden narrows it down. And I, in 2007, concurred thus:
Tomorrow, a time for the political joke and the odd cartoon,
The scoring of debating points, the parry and thrust of nation-making,
Tomorrow the time to change faces, the showering votes of no-confidence,
Today, the hour of the resolute heart that fights the intruder.
Valid in 2007, I am still convinced. Valid during the ‘Aragalaya,’ in 2022, one could argue. Valid today in Sri Lanka. Valid in Palestine, occupied and devastated by Israel. Auden still writes. And we still read. And we commit our hearts and strength to resistance that will not be brought down by place names or languages but in fact eminently made for transliteration, embrace and empowerment.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 276th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
The word as a sword held to the throat of truth
Residents of and residency in heart and mind
Merit, integrity and seniority in the superior courts
Hunters and 'victims' of immemorial light
The unbearable lightness of pause
Seasons bookeneded by leaves on park benches
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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