I wanted to write about two terms that are of particular political interest to me in these terrible days of absolutely barbaric assaults on civilians in Gaza and the West Bank and the shocking silence of the mainstream media: writers' bloc (yes, not ‘block’ and the apostrophe after and not before the 's') and dead-lines (not ‘deadlines’). I can’t.
I’ve seen ‘Stop Press’ exclamation in newspapers from the time I was very small. It took me a while to understand that it referred to the fact that the particular story thus marked was added after the printing process started. It has to be something important enough, of course. Most editors, especially those who have extraordinary long lives in such positions, have had to stop the press one time or another. Gamini Weerakoon too, I’m sure.
I didn’t know of a Gamini Weerakoon for many years, even though I had read it avidly since ours was an ‘Island household.’ We have bought the paper since its inception and I always read the editorial, his included, after he became the editor of the ‘Daily Island.’ I didn’t know because editorials don’t carry bylines. I first met the man when I joined the ‘Sunday Island’ in October 2000.
Journalists of both the daily and Sunday papers shared the same office space down Bloemendhal Road. Only the two editors and the then Deputy Editor of the daily paper, my friend and batchmate from the University of Peradeniya, Prabath Sahabandu (the current editor) had cubicles back then. All of us could submit content to the ‘other paper’ if we wanted to. I did.
Gamma allowed me to write a column for the Midweek Review and, during the 2001 General Election accommodated a special column related to associated political issues titled ‘The Election Monitor.’ Those who worked directly under him would have benefitted much more than I did. They probably have many ‘Gamma Stories’ to tell, far more than I.
I remember two incidents. Sometime in 2001, again around the time of the election, a brash and utterly obnoxious doctor charged into the editorial offices of the Island, angered apparently by something published that was critical of his brother-in-law, a ‘revolutionary’ leader killed during the unprecedented blood shedding of the late eighties.
‘Who is the *&%$$ing editor?’ he is said to have thundered.
Everyone had been shocked, I was told later. Except Gamma. He had just walked out of his room and calmly said, ‘I am the &%$$ing editor.’
Gamma always stood his ground, in word and deed.
His political preferences in terms of parties notwithstanding Gamma adopted a liberal editorial policy. He gave space to everyone along the political spectrum. He was always kind to me. I will never forget something he told me about writing. He called me into his office. He didn’t have to. He was kind.
‘Let me give you a piece of unsolicited advice. You don’t have to be angry when you are critical. Sometimes you can say it softly and be more effective.’
He was right. Absolutely. I’ve not always been soft, but even when I am sharp I remember what Gamma said and try not to be angry. I have not always been successful.
In later years, when he wrote for the Sunday Leader he did refer to me, critically. This was in 2006 when the then government was involved in ‘peace talks’ with the LTTE. Gamma was opposed to any talks with the LTTE and noted, in passing, that some columnists (that’s me) previously of this view had changed their stance. I won’t debate the point here; what counts is the affection he showed me.
He had a sense of humour. I remember some of the young journalists bringing a cake to celebrate some anniversary. The two editors were invited to cut the cake. It is no secret that they didn’t see eye to eye. Manik ambled to the middle of the office and asked ‘where’s Gamma?’
Gamma was a few minutes late. When he did arrive, Prabath made a joke about it. He said something like ‘Manik was asking where you were…you both only pretend to be angry.’
Gamma had a butter knife in his hand and promptly responded, ‘Ah! Is that so? Ask him to come. We can bury the hatchet for good.’ We all laughed. Manik would too, I’m sure, if he read this. ‘The Island’ was a fun place back then. A lot of words, a lot of laughs. It helped that there were people like Shamindra Ferdinando and Rex Clementine around; they seemed to have been born to be mischievous around. It had to do with leadership too. Both Manik and Gamma were gentle in their own ways and both liked a good joke.
Gamma kept his anxieties to himself as far as I know. There was one occasion when I felt he was genuinely upset. This was in 2003-4, around the time he was rather unceremoniously ‘unseated.’ The complaint had been that circulation had gone down. Well, newspaper owners rarely divulge true numbers. Gamma had gone to several newspaper stands and inquired. ‘No one said that there was a drop in sales,’ he told me.
He left. It may have hurt, but he didn’t show it. He continued to write, this time under his name. He went to the Orient Club. He enjoyed his drink. In the few times that I met him, he was his usual self; he always offered to buy a drink, always articulated his opinions, was cogent in his arguments, accommodating of different opinions and genuinely interested in what I did. I am sure it was the same with everyone else.
When I saw the Facebook post of my friend and former colleague at ‘The Island’ and ‘Rivira,’ Dhammika Ratnaweera, about Gamma passing away, I suddenly felt that things had come to a sudden halt. There’s always something to write about and that’s also something being around people like Gamma taught me. But I cannot write about all those other things. I can’t stop the presses, but I must stop now. Out of deep respect and much sadness.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 266th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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