The German-born American historian and political philosopher Hannah Arendt, in a tribute to the British-American poet W H Auden titled ‘Remembering W H Arden’ published in the New Yorker in January 1975, quotes the preceding lines from Auden’s ‘In memory of W B Yeats,’ written in September 1939:
Arendt, for her purposes, picked the above lines from two separate verses which I believe deserve to be reproduced in full (in fact the entire poem as well as his ‘Spain, 1939’ call out for reproduction and wide circulation given today’s ‘news of the world.’). That will have to wait. The full verses are as follows:
Eighty four years have passed since Auden wrote this and 48 since Arendt wrote her New Yorker piece. How far have we come, we must ask. Indeed, to re-frame the question, ‘have we remained sequestered in idolatry and delusion, numbed by tragedy and the pity invoked, appalled and rendered impotent by intellectual disgrace while the rabid dogs of empire bark and bite?'
I didn’t know of Auden’s tribute to Yeats. I didn’t know Hannah Arendt knew Auden and wrote about him a couple of years after he died. I was just looking for a poem by Auden because I wanted to accurately quote the last two lines, which, interestingly, Arendt had also commented on.
The poem is titled ‘Spain, 1939.’ I came across the poem more than 30 years ago in a bookshop in Cambridge. It was in what was probably a truncated or edited version of Authors take sides on the Spanish Civil War, put together by Nancy Cunard, I believe. On a related note, Cecil Woolf and John Bagguley replicated the exercise with regard to the Vietnam War. It was published in 1967 as Authors take sides on Vietnam. A third collection, this time on Palestine, was edited by Ru Freeman and published in 2016, Extraordinary Rendition: American writers on Palestine.
Spain, 1939. Yes, the same year. The last lines:
The stars are dead. The animals will not look.
We are left alone with our day, and the time is short, and
History to the defeated
May say alas but cannot help or pardon.
Years later I read somewhere that having come across one of his books containing the poem, Auden had marked the last two lines and commented, ‘this is wrong.’ Arendt says that Auden had later said of these lines, ‘to say this would be to equate goodness with success.’
The popular notion that there are no winners in war is a lie. There are always beneficiaries in the before, during and after of all wars. Just ask those who believe they lost. Auden buries the pessimism, at least in his recantation. Unfortunately it’s the pessimism that lived on along with the poem.
Life, on the hand, is longer than wars and outlives warriors. There are those who come later to pick up fallen flags and carry them to tomorrows they hope would be better.
The poet Larry Levis (1946-1996) puts it poignantly in The Darkening Trapeze: Last Poems. In the title poem, 'Elegy with a darkening trapeze inside it,' Levis writes about a woman:
Every revolution ends, or it begins, in memory:
Someone remembering her diminishment & pain, the way
Her scuffed shows looked in the pale light,
How she inhaled steel filings in the grinding shed
For thirty years without complaining once about it,
How she might have done things differently. But didn’t.
How it is too late to change things now. How it isn’t.
It isn’t too late. Never is it too late. Those who say ‘this is the last opportunity,’ forget that time is longer than life. I would not wish hopelessness on anyone, even those whose defeat brought relief to me for the sheer brutality of their beliefs and practices. No, I would not wish it on the citizens of Israel either.
Therefore the world will never be emptied of poetry; not as long as hearts beat, as long as compassion and integrity fuel the feet, as long as intellectual honesty rises against intellectual disgrace, and as long as there are children who are delighted by paper boats and urge stray kites to fall at the feet of friends who have not given up on flight.
['The Morning Inspection' is the title of a column I wrote for the Daily News from 2009 to 2011, one article a day, Monday through Saturday. This is the 265th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Following children and their smiles
Let's plant words in cracks and craters
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
In the land of insomnial poets
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
Octavio Paz and Arthur C Clarke in the stratosphere
9/11 and the calm metal instrument of Salvador Allende's voice
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Profit: the peragamankaru of major wars
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
We're here because we're here because we're here
Sha'Carri Richardson versus and with Sha'Carri Richardson
A stroll with Pragg and Arjun along a boulevard in Baku
Daya Sahabandu ran out of partners but must have smiled to the end
Sapan and voices that erase borders
Problem elephants and problem humans
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Let's help Jagana Krishnakumar rebuild our ancestral home
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Saji Coomaraswamy and rewards that matter
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Poetry and poets will not be buried
Reunion Peradeniya (1980-1990)
Sorrowing and delighting the world
Encounters with Liyanage Amarakeerthi
Letters that cut and heal the heart
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
Reflections on waves and markings
Respond to insults in line with the Akkosa Sutra
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
The lost lyrics of Premakeerthi de Alwis
Consolation prizes in competitions no one ever wins
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Deveni: a priceless one-word koan
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
Authors are assassinated, readers are immortal
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
So how are things in Sri Lanka?
The sweetest three-letter poem
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Some play music, others listen
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
And intangible republics will save the day (as they always have)
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
Words, their potency, appropriation and abuse
Who did not listen, who's not listening still?
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
The interchangeability of light and darkness
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Neruda, Sekara and literary dimensions
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
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