Liyanage
Amarakeerthi in
Nava Kavi Salakuna, a theoretical survey of
contemporary poetry, mentions that the poem is not anyone’s birthright
but a territory visited by all kinds of people, some of whom take up
residence and remain if they had to pay with their lives.
I
haven’t read the book. I have, however, listened to Amarakeerthi speak
at book launches and other literary forums. His observations are rich
with insights that are the inevitable yield of extensive and close
reading of literature, poetry in particular. What he has said above is
of course now new; he is essentially interjecting an old discussion over
the ownership of poetry and indeed all art: does it belong to the poet
or the reader?
That academic debate never seems to end; I just
think ‘both’ and leave it at that. I am more interested in residency in
terms of the dimensions of ownership and the parameters of tenurialty in
a broader, in-and-out-of-poetry sense.
The notion of the heart,
as metaphor of course, is a site that lends itself to endless
contestation over territory. Who owns it and for how long? Who has the
title? Can it be leased? Can it be parcelled and leased to many tenants?
Are tenants doomed to quarrel, claiming legality and accusing one
another of illegal squatting?
It is a place where the ‘owner’
willingly allows occupation. No rent is charged. It is a strange
residence and the residency is no less peculiar. For example, residents
may not even have the slightest idea of the spaces they occupy. It is a
strange place where owners, in the event ‘tenants’ choose not to
reciprocate residency, have to pay, often a high price and endlessly
too. Month after month and sometimes year after year with only death and
the inevitable demise of residence ending this unparalleled servitude.
They too pay with their lives, like those who inhabit poetry as
described by Amarakeerthi, except that it is for residence yielded and
not occupied. Prisoners of poetry they never wrote, ‘poets’ who are
resident elsewhere, if at all.
But what of the mind? Is it also a
heart-like territory? People and things, ideas wholesome as well as
vile take up residence. It is a place where things come without saying
and urge us to stack them in a shelf called ‘goes without saying.’ Only,
the going is tough. That which enters, can break through defences
simply by frequency of bombardment and slip in courtesy innumerable
Trojan Horses; advertisements of one kind of another. Not all of it is
subliminal. Most, in fact, are in one’s face. Familiarity breeds
respect. We can learn to sprinkle the most odious of smells all over
ourselves convinced that they are in fact divine fragrances. We’ve been
told so, after all. In so many ways.
That’s how ideology works.
Its most trustworthy lieutenant is a gnome that resides in our minds,
susceptible to all manner of manipulation. Its success is discernible by
the fact that we become the articulators of the half-truth or lie,
convinced moreover that it was something we ourselves, in our wisdom,
formulated. It is not only an idle mind that’s the devil’s workshop. The
mind actively functions as the devil’s adjunct.
All of this takes me to the Buddha’s Charter on Free Inquiry as expounded in the Kalama Sutta:
“Come,
Kālāmas, do not go by oral tradition, by lineage of teaching, by
hearsay, by a collection of scriptures, by logical reasoning, by
inferential reasoning, by reasoned cogitation, by the acceptance of a
view after pondering it, by the seeming competence of a speaker, or
because you think: ‘The ascetic is our guru.’ But when you know for
yourselves: ‘These things are wholesome; these things are blameless;
these things are praised by the wise; these things, if accepted and
undertaken, lead to welfare and happiness,’ then you should live in
accordance with them.”
An inquiring mind or a mind that
inquires along these lines will not be easily persuaded to think that
things which go without saying did not in fact come without saying. Such
a mind will understand that trees have roots, rivers have sources. Such
a mind will not build walls and sequester itself but instead will have
all doors open but will decide who and what deserve welcome.
Residences
have doors and therefore reflecting on Amarakeerthi’s observation, I
remembered doors that are open and some that are closed and the choices
that make sense to me. The title of the poem, written more than 15 years
ago, is ‘Doors.’ I’ll share a few lines:
Doors are special to me
because histories and hopes are special
and they have to walk through them.
or choose not to;
doors are special to me
because they are splendid places
to wait and wait and wait.
Splendid
conversations await us all. Unbelievable silences too. That’s the way
of open spaces. People can come and go. Some will stay. Some will not be
allowed to leave. We die for all kinds of things in all kinds of ways
and in all kinds of places. A poem is not a bad final resting place, all
things considered.
['The
Morning Inspection' is the title of a column I wrote for the Daily News
from 2009 to 2011, one article a day, Monday through Saturday. This is the 274th article in the new series that began in December 2022. Links to previous articles are given below]
malindadocs@gmail.com
Other articles in this series:
Merit, integrity and seniority in the superior courts
Hunters and 'victims' of immemorial light
The unbearable lightness of pause
Magic carpet to Dutuwewa
Gauze, blood-stained and torn
Seasons bookeneded by leaves on park benches
Writers' blocs and dead lines
Stop Press!
The world shall not be emptied of poetry
Reclaiming the everyday with solidarities of tender fury
An Aussie broke a SLan heart in Ind for Afg
Writing magical pieces about something beautiful when time permits
The scattered archives of art and protest
Friendship that keep friends permanently at 16
Amherst: silent, rural, poetic and serendipitous
The virtues of unemployability
A breathless hush at the close
Ahmed Issa, fearless and audacious in Gaza
Let us take a deep breath now...
How Grolier Poetry writes 'Harvard Square'
Let us write beautiful poetry
Following children and their smiles
Let's plant words in cracks and craters
Re-weaving lives and love
When the earth closes upon us...
Let us now march to the battleground of words
The most pernicious human shield
Who bombed Frankfurter Buchmesse
The truly besieged
Love's austere and lonely offices
The mysteriously enjoined in the middle of nowhere
Serendipity now!
Reflections on the unimaginable
Jackson Anthony is a book and will be read
A village called Narberth Bookshop
Gateway drugs to A-B-C
'Irvin' and other one-word poems
Earth pieces Kerala and Sri Lanka
Obligation as bomb and ocean
In the land of insomnial poets
In and out of shadows
Over to Eve
When you don't need an invitation, it's home
When the Canadian House of Commons applauded a Nazi...
Touching the touch-me-nots
The importance of not skipping steps
No free passes to the Land of Integrity
Hector Kobbekaduwa is not a building, statue, street or stamp
Rajagala and the Parable of the Panner
Let's show love to Starbucks employees!
You've got mail?
Octavio Paz and Arthur C Clarke in the stratosphere
Enduring solidarities
Coco 'Quotes' Gauff!
9/11 and the calm metal instrument of Salvador Allende's voice
What a memory-keeper foregoes
Whitman, Neruda and things that wait in all things
Thilina Kaluthotage's eyes keep watch
Those made of love will fly
Profit: the peragamankaru of major wars
Helplessness and innocence
The parameters of entirety
In loving memory of Carrie Lee (1956-2020)
Mobsters on and off the screen
Transfixing and freeing dawns
We're here because we're here because we're here
Life signatures
Sha'Carri Richardson versus and with Sha'Carri Richardson
A canvas for a mind-brush
Sybil Wettasinghe's shoes
Love is...
A stroll with Pragg and Arjun along a boulevard in Baku
Meditation on tree-art
Daya Sahabandu ran out of partners but must have smiled to the end
Gentle intrusions
Sleeping well
The unleashing of inspiration
Write, for Pete's sake
Autumn Leaves Safeness
Sapan and voices that erase borders
Problem elephants and problem humans
Songs from the vaekanda
The 'inhuman' elephant in a human zoo
Ivan Art: Ivanthi Fernando's efforts to align meaning
Arwa Turra, heart-stitcher
Let's help Jagana Krishnakumar rebuild our ancestral home
True national anthems
Do you have a friend in Pennsylvania (or anywhere?)
A gateway to illumination in West Virginia
Through strange fissures into magical orchards
There's sea glass love few will see
Re-residencing Lakdasa Wikkramasinha
Poisoning poets and shredding books of verse
The responsible will not be broken
Home worlds
Ownership and tenuriality of the Wissahickon
Did you notice the 'tiny, tiny wayside flowers'?
Gifts, gifting and their rubbishing
History is new(s)
Journalism inadvertently learned
Reflections on the young poetic heart
Wordaholic, trynasty and other portmanteaus
The 'Loku Aiya' of all 'Paththara Mallis'
Subverting the indecency of the mind
Character theft and the perennial question 'who am I?'
Innocence
A degree in people
Faces dripping with time
Saji Coomaraswamy and rewards that matter
Revolutionary unburdening
Seeing, unseeing and seeing again
Alex Carey and the (small) matter of legacy
The Edelweiss of Mirissa
The insomnial dreams of Kapila Kumara Kalinga
The clothes we wear and the clothes that wear us (down)
Every mountain, every rock, is sacred
Manufacturing passivity and obedience
Precept and practice
Sanjeew Lonliyes: rawness unplugged, unlimited
In praise of courage, determination and insanity
The relative values of life and death
Feet that walk
Sarinda's eyes
Poetry and poets will not be buried
Sunny Dayananda
Reunion Peradeniya (1980-1990)
What makes Oxygen breathable?
Sorrowing and delighting the world
The greatest fallacy
Encounters with Liyanage Amarakeerthi
Beyond praise and blame
Letters that cut and heal the heart
Vanished and vanishing trails
Blue-blueness
A forgotten dawn song from Embilipitiya
The soft rain of neighbourliness
The Gold Medals of being
Jaya Sri Ratna Sri
All those we've loved before
Reflections on waves and markings
A chorus of National Anthems
Saying what and how
'Say when'
Respond to insults in line with the Akkosa Sutra
The loves of our lives
The right time, the right person
The silent equivalent of a thousand words
Crazy cousins are besties for life
Unities, free and endearing
Free verse and the return key
"Sorry, Earth!"
The lost lyrics of Premakeerthi de Alwis
The revolution is the song
Consolation prizes in competitions no one ever wins
The day I won a Pulitzer
Ko?
Ella Deloria's silences
Blackness, whiteness and black-whiteness
Inscriptions: stubborn and erasable
Thursday!
Deveni: a priceless one-word koan
Enlightening geometries
Let's meet at 'The Commons'
It all begins with a dot
Recovering run-on lines and lost punctuation
'Wetness' is not the preserve of the Dry Zone
On sweeping close to one's feet
Kumkum Fernando installs Sri Lanka in Coachella, California
To be an island like the Roberts...
Debts that can never be repaid in full
An island which no flood can overwhelm
Who really wrote 'Mother'?
A melody faint and yet not beyond hearing
Heart dances that cannot be choreographed
Remembering to forget and forgetting to remember
On loving, always
Authors are assassinated, readers are immortal
When you turn 80...
It is good to be conscious of nudities
Saturday slides in after Monday and Sunday somersaults into Friday
There's a one in a million and a one in ten
Gunadasa Kapuge is calling
Kumkum Fernando installs Sri Lanka in Coachella, California
Hemantha Gunawardena's signature
Pathways missed
Architectures of the demolished
The exotic lunacy of parting gifts
Who the heck do you think I am?
Those fascinating 'Chitra Katha'
The Mangala Sabhava
So how are things in Sri Lanka?
The most beautiful father
Palmam qui meruit ferat
The sweetest three-letter poem
Buddhangala Kamatahan
An Irish and Sri Lankan Hello
Teams, team-thinking, team-spirit and leadership
The songs we could sing in lifeboats when we are shipwrecked
Pure-Rathna, a class act
Jekhan Aruliah set a ball rolling in Jaffna
Awaiting arrivals unlike any other
Teachers and students sometimes reverse roles
Matters of honor and dignity
Yet another Mother's Day
A cockroach named 'Don't'
Colombo, Colombo, Colombo and so forth
The slowest road to Kumarigama, Ampara
Sweeping the clutter away
Some play music, others listen
Completing unfinished texts
Mind and hearts, loquacious and taciturn
I am at Jaga Food, where are you?
On separating the missing from the disappeared
Moments without tenses
And intangible republics will save the day (as they always have)
The world is made of waves
'Sentinelity'
The circuitous logic of Tony Muller
Rohana Kalyanaratne, an unforgettable 'Loku Aiya'
Mowgli, the Greatest Archaeologist
Figures and disfigurement, rocks and roses
Sujith Rathnayake and incarcerations imposed and embraced
Some stories are written on the covers themselves
A poetic enclave in the Republic of Literature
Landcapes of gone-time and going-time
The best insurance against the loud and repeated lie
So what if the best flutes will not go to the best flautists?
There's dust and words awaiting us at crossroads and crosswords
The books of disquiet
A song of terraced paddy fields
Of ants, bridges and possibilities
From A through Aardvark to Zyzzyva
World's End
Words, their potency, appropriation and abuse
Street corner stories
Who did not listen, who's not listening still?
The book of layering
If you remember Kobe, visit GOAT Mountain
The world is made for re-colouring
The gift and yoke of bastardy
The 'English Smile'
No 27, Dickman's Road, Colombo 5
Visual cartographers and cartography
Ithaca from a long ago and right now
Lessons written in invisible ink
The amazing quality of 'equal-kindness'
A tea-maker story seldom told
On academic activism
The interchangeability of light and darkness
Back to TRADITIONAL rice
Sisterhood: moments, just moments
Chess is my life and perhaps your too
Reflections on ownership and belonging
The integrity of Nadeesha Rajapaksha
Signatures in the seasons of love
To Maceo Martinet as he flies over rainbows
Sirith, like pirith, persist
Fragrances that will not be bottled
Colours and textures of living heritage
Countries of the past, present and future
A degree in creative excuses
Books launched and not-yet-launched
The sunrise as viewed from sacred mountains
The ways of the lotus
Isaiah 58: 12-16 and the true meaning of grace
The age of Frederick Algernon Trotteville
Live and tell the tale as you will
Between struggle and cooperation
Of love and other intangibles
Neruda, Sekara and literary dimensions
The universe of smallness
Paul Christopher's heart of many chambers
Calmness gracefully cascades in the Dumbara Hills
Serendipitous amber rules the world
Continents of the heart